Skip to content
Browse articles

Saviyabbe – The Warrior

By Kamala Hampana

Vol. 33 · No. 3January - 1999pp. 106–107English

Summary

Sāviyabbe flourished around C.E. 980 and is remembered in an inscription near the Bāhubali temple at Śravaṇa Beḷgoḷa; The stone record depicts her riding on horseback wielding a sword while her husband rides an elephant; According to the charter Sāviyabbe and her parents were devoted followers of the Jina and supported their master in his campaigns; Sāviyabbe accompanied her husband to the battlefield and fell fighting by his side; Other sources describe her as having ridden a trained horse and having faced formidable opponents; She is compared to the epic heroine Sītā in faith and to Rājā Laḵṣmī in courage; The author notes that her bravery was coupled with strict adherence to the duties of a lay follower; she respected monks performed rituals and practised vows; The inscription extols her qualities and immortalises her as a brave lay woman; The story of Sāviyabbe challenges assumptions that medieval Jain women were confined to domestic roles; It shows that religious devotion could coexist with martial valor; By including the narrative in the article Hampana demonstrates the diverse roles women played in Jain society

AI-assisted summary, not yet checked. Consult the original PDF before citing.

Conclusion

Sāviyabbe’s tale conveys that courage and piety are not mutually exclusive; Her willingness to fight alongside her husband while upholding spiritual duties made her a role model; The inscription ensures that her sacrifice and virtues are remembered as part of Jain cultural memory

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Saviyabbe accompanied her husband to the battlefield and fell fighting by his side. The incident seems to have been taken place at Bagiyur in about C.E. 980.”
  • “When it is said that the world-renowned Loka-vidyadhara, son of Dhora, liberal to the learned, was her husband, can any other person be compared with her in glory?”
  • “According to the opinion of Hampa Nagarajaiah, a research scholar, that Ranna started to drive a quill with this inscription in C.E. 980, and bid farewell to his magic wand by composing the Lakkundi inscription in C.E. 1007, both the writings being on the life sketch of pious and brave ladies of tenth century Kamataka.”

Discussed in this article

People

AI guide

Discuss this record

Ask about the article, its topics, issue context, selected passages, or reading strategy.

Start with the record

I can unpack the summary, turn it into study questions, explain a selected passage, or compare it with the other articles in this issue.

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Same author

More by Kamala Hampana

All articles →
Jain Journal A Quarterly on Jainology

Poet Pampa, Jinavallabha and Andhra: A Retrospection

By Kamala Hampana

October 2003
Jain Journal A Quarterly on Jainology

The Rāṣṭrakūṭas and Jainism

By Kamala Hampana

April - 2000
Jain Journal A Quarterly on Jainology

The Hoysalas and Jainism

By Kamala Hampana

January - 2000
Jinamanjari

The Hoysalas and Jainism

By Kamala Hampana

2000