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Gleanings

No. 2Oct 1966pp. 83–85English

Summary

1. Introduction to Sittannavasal: • Sittannavasal, a key center of Jaina influence from the 3rd century BCE to the 13th century AD, is known for its rock-cut temple believed to have been excavated by the first Mahendravarman during his Jaina phase. • The temple and its murals were a significant artistic expression of the Jaina religion, showcasing majestic and serene deities. • The murals in the shrine were originally painted in the sanctum and porch, with the porch’s paintings dating back to the 9th century, showcasing a blend of artistry and religious fervor. 2. Artistic Legacy of Sittannavasal: • The murals at Sittannavasal are praised for their technical accomplishments and religious devotion. Although smaller in scale compared to the Ajanta caves, they are considered superior in some respects. The temple's artwork aimed at smaller, impactful effects, succeeding within its constraints. • The site is notable for its religious fervor, and its artistic tradition is regarded as unique in comparison to other contemporary Indian religious art. 3. Relics and Jaina Influence in Manbhum: • The district of Manbhum is rich in Jaina antiquities, though many are neglected and left exposed. There are multiple villages, such as Pabanpur and Par, where Jaina relics, including ruined temples and damaged Tirthankara images, can still be found. • Many of these artifacts have not been properly explored or preserved. Some artifacts have been transferred to the Calcutta Museum, while others remain neglected or repurposed in private homes and temples. 4. Need for Research and Preservation: • Manbhum offers a promising area for research into the evolution of Jainism and its relationship with other religious traditions, including Hinduism and Saivism. Inscriptions on the pedestals of some images, although yet to be properly studied, could provide valuable insights into the region’s cultural and religious history. • A systematic study and excavation in identified Jaina areas would illuminate the historical and cultural significance of Jainism in the region, which spans over two thousand years.

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Conclusion

The article highlights the rich artistic and cultural history of Sittannavasal, a key Jaina center, and the neglected Jaina antiquities in Manbhum. It stresses the need for further research and preservation of these relics to better understand the evolution of Jainism in the region and its interplay with other religious traditions.

Key passages

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  • “Sittannavasal was a strong centre of Jaina influence for no less than fifteen centuries, from the third century B. C. to the thirteenth A.D.”
  • “The dates of the murals vary. Practically little has survived in the sanctum, which is believed to have been excavated in the seventh century by or under the auspices of, the first Mahendravarman.”
  • “Manbhum offers a rich field for research into the evolution of Jainism in this area, its relationship with orthodox Hinduism, Saivism and Vais-navism.”

Works cited in this article

  1. N. S. Ramaswami, ‘Jain Hill’, The Sunday Standard, May 8, 1966.
  2. P. C. Roy Chaudhury, ‘Jaina Antiquities in Manbhum’, Amrita Bazar Patrika, Annual Puja Number, 1956.

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  • Brihadees-wara temple

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