Lord Basupujiya (colour plate)
By Sudhin De
Summary
The plate captioned “Lord Basupujiya” in this issue presents a photographic reproduction of a bronze image of Vasupujya, the 12th Tīrthaṅkara, now preserved by the Directorate of Archaeology, West Bengal. The image shows the Tīrthaṅkara seated in the lotus posture on a high throne flanked by elaborate columnar supports. Vasupujya is depicted with serene eyes and folded hands, symbolising meditation and detachment. Behind him rises a detailed caitya-vṛkṣa (sacred tree) with symmetrical branches sheltering the central figure; small attendant Jinas are seated among the foliage, emphasising the multiplicity of enlightened beings in Jain cosmology. Two kneeling devotees are shown at the base, offering flowers and demonstrating the layperson’s reverence towards the enlightened teacher. Ornamental motifs such as elephants, lions and scrollwork decorate the canopy and pedestal, blending artistic exuberance with religious symbolism. The caption credits the Directorate of Archaeology, West Bengal, indicating that the image is part of a curated collection of regional antiquities. Although the plate does not include textual analysis, its inclusion in the journal complements Sudhin De’s article on inscribed sculptures by providing a visual appreciation of the artistry and iconography associated with Vasupujya.
Summary reviewed by a volunteer editor.
Conclusion
This colour plate allows readers to visually engage with the iconography of Vasupujya and appreciate the craftsmanship of medieval Jain bronzes. The composition—central meditating figure, sacred tree, attendant Jinas and devout worshippers—embodies key themes of Jain art: the universality of enlightenment and the connection between the spiritual and lay communities. By presenting such images alongside scholarly articles, the journal reinforces the link between textual scholarship and material culture and encourages the preservation of artistic heritage.