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Hail Vardhaman – Act I

Vol. 10 · No. 2Oct-75pp. 33–44English

Summary

The article is a dramatic scene set in a garden in Kundagram on the bank of the river Gandak in the Republic of Vaishali. It features a dialogue between two princes, Vijaya and Sumitra, who are dressed as hunters and practicing archery. The central conflict revolves around Prince Vardhaman's recent ban on all shooting, which the two princes find perplexing. Vijaya explains that Vardhaman has prohibited the killing of living beings, including trees and birds, arguing that only inanimate objects should be targets. The princes debate the utility of martial skills if one cannot kill, but Vijaya defends the ban by stating that trees possess life and feeling. Vardhaman then enters and introduces a metaphorical concept of marksmanship, shifting from physical archery to the pursuit of spiritual and ethical virtues. He outlines five invisible targets: non-violence, truth, non-stealth, non-acquisition, and celibacy. Vijaya and Sumitra find this allegorical approach unsuitable for their warrior-class status. However, Vardhaman counters that these are matters of self-discipline, not caste, and that the "arrows" required to hit these targets are self-control, renunciation, forgiveness, penitence, and austerity. The scene takes a dramatic turn when an elephant is let loose from the stables, killing an old man. Despite the princes' eagerness to kill the rogue animal with their bows and arrows, Vardhaman insists on confronting it alone, adhering to his principle of non-violence. He forbids Vijaya and Sumitra from accompanying him, leading them to question his decision. The act concludes with the princes reflecting on Vardhaman's apparent foolhardiness and their own missed opportunity to demonstrate their martial prowess. The text does not cite any external sources or works beyond the dramatic dialogue itself.

AI-generated summary, automatically checked against the article text.

Conclusion

This play establishes Prince Vardhaman as a pioneering figure who redefines martial prowess through the strict principle of absolute non-violence. The central finding is the stark contrast between traditional Kshatriya marksmanship and Vardhaman’s spiritual discipline, which forbids harming any living entity, including plants and animals. His allegorical framework of five invisible targets—non-violence, truth, non-stealth, non-acquisition, and celibacy—demands a new "armoury" of self-control and renunciation. The implications of this philosophy are tested when a rogue elephant threatens the community, forcing a confrontation between passive idealism and pragmatic self-defense. Ultimately, the text highlights the profound significance of Vardhaman’s unwavering commitment to ahimsa, positioning him as a moral leader who prioritizes the sanctity of life over conventional warrior duties, thereby laying the foundational ethos for a new ethical and spiritual paradigm.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Prince Vardhaman says: “Do excel in marksmanship. But thou shalt not kill.””
  • “He said that there are always five targets before you. You cannot strike even one of them. Try to aim at them.”

Works cited in this article

  1. Dhanurveda of the Kshatriyas

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