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Vellerikombai Rock Art: Stylized Red Ochre Depictions and Deterioration Challenges in Nilgiris

By M. Kumaravelu

Vol. 06March 2000pp. 14–19English

Summary

The Vellerikombai rock art site in the Nilgiris, distinct from other local sites like Sigur and Iduhatt Konavakoral, features red ochre petrographs depicting stylized human forms, a humped bull, and a hand. Identified in 1984 by anthropologist Allen Zackerel and later studied by State Archaeology officials, the site lacks petroglyphs. While local Kurumba tribes attribute the art to their ancestors, archaeologists and musicologists argue it is prehistoric, likely Neolithic, citing the humped bull motif. Interpretations vary: R. Poongundran links it to Neolithic cattle keepers from Karnataka, while M. Basavalingam proposes an extraterrestrial origin, comparing figures to Australian rock art. The site’s accessibility and exposure to environmental factors—wind, sun, vegetation, and pollution—threaten its preservation. Recommendations include protective measures like silicone coatings, vegetation management, and avoiding human interference. The site’s unique stylized forms contrast with geometric patterns at Iduhatty and typical animal/hunting scenes elsewhere. Local oral traditions and the site’s name, *eluthu paarai* (inscribed rock), reflect its cultural significance, though its exact age remains debated.

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Conclusion

The Vellerikombai Rock Art site in the Nilgiris stands out for its unique red ochre stylized depictions, including human forms and a humped bull, differing significantly from other regional rock art sites. While some attribute these petrographs to Neolithic cattle keepers or even extra-terrestrial influences, local Kurumba tribes associate them with ancestral heritage. Despite differing interpretations, the site’s fragility and exposure to environmental deterioration necessitate urgent conservation measures, such as protective barriers and vegetation management. Its inaccessibility and the ongoing risk of natural damage underscore the need for proactive preservation efforts to safeguard this culturally and historically significant site for future study and appreciation.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Vellerikombai Rock Art is in red ochre, with stylized figures depicting various human forms, a humped bull and a hand.”
  • “The Vellerikombai rock art site could be regarded as unique, as its depictions are full of stylized forms, deviating from the general depictions of animals and human activities such as hunting and dancing scenes in the other rock art sites of the Nilgiris”

Works cited in this article

  1. Maheswaran, C., “Nilgiris: from Prehistoric Period to the Present”, The Downstown Chronicle, Vol.1: No.7:11.08.1995.
  2. Basavalingam, M., “The Mysterious Rock Art”, The Downstown hronicle, Vol. I: No0.31:08.03.1996.
  3. Basavalingam, M., “Rock Art in the Nilgiris”, The Downstown Chronicle, Vol. II: NO.29: 10.05.1997.
  4. Aboriginal People: Aboriginal Australia, Council for Aboriginal Reconciliation And the Aboriginal and Torres Strait Islander Commn. Canberra, 1992.

Discussed in this article

People

  • Allen Zackerel
  • R. Poongundran
  • M. Basavalingam

Texts & works

  • Downstown Chronicle
  • eluthu paarai

Dynasties, sects & groups

  • Kurumba tribes

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