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Babbu Svami: Caste, Jealousy, and Folk Deity Worship in 17th-Century Tulunadu

By K. G. Vasantha Madhava

Vol. 08March 2002pp. 47–51English

Summary

Babbu Svami, a folk deity in Karnataka-Kerala's Tulunadu region, is central to a Tulu-language folk song translated into Kannada. The song, published in 2000, recounts his birth into the low-caste Mundala family in Udupi, his parents' devotion to deities like Kotesvara and Naga-Brahma, and their tragic deaths shortly after his birth. Raised by Kodange Ballala, Babbu faced jealousy from higher-caste co-workers, leading to his death and subsequent veneration as a deity. The narrative highlights caste-based oppression, social inequality, and the marginalized's resilience. The song also references Babbu's connections to Kerala's Theyam traditions, particularly Muttapan, and his association with trade routes between Barakuru port and Kerala's coastal towns. It details regional agricultural practices, sea trade managed by Muslims, and fort construction expertise attributed to Babbu. While the song's authorship and exact historical timeline remain unclear, its events likely date to the mid-17th century, aligning with Barakuru port's prominence before its decline. The study underscores the folk song's role in preserving cultural history, caste dynamics, religious practices, and socio-economic conditions of the era.

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Conclusion

This study of Babbu Svami folklore reveals the socio-cultural dynamics of 17th-century Tulunadu, highlighting caste hierarchies, economic activities, and religious practices. The narrative underscores the oppression faced by the marginalized Mundala caste and their resilience through a revered folk deity. The interconnected trade networks and fort construction indicate regional prosperity and external influences. While the song’s origins and chronology remain unclear, its depiction of historical events aligns with the mid-17th century, offering valuable insights into the period’s social structures, religious syncretism, and economic vitality. The analysis bridges oral tradition and historical context, emphasizing the cultural richness of the region.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The events mentioned in this work may be assigned to the middle of the seventeenth century.”
  • “The folk song depicts the caste differences and jealousies and the series of restrictions imposed on the underprivileged caste.”

Works cited in this article

  1. Kamalaksha, Tulunada Karanika Purusha Babbu Svami, p 20-23, 70
  2. Annual Report of South Indian Epigraphy (ARSIE) 00 No. 282
  3. ARSIE, 1930-31 No-
  4. South Indian Inscriptions, Vol VII Nos. 285, 366
  5. Linganna Kavi, Keladinripa Vijayam, (1972) pp 70-71

Discussed in this article

People

  • Babbu Svami
  • Malathi
  • Gururaja Bhatt
  • Durate Barbosa
  • Kamalaksha P.
  • Bommu
  • Kodange Ballala

Places

  • Barakuru
  • Tulunadu 4
  • Nilesvara
  • Valapattanam
  • Kuchchuru Guttu
  • Uupuru village
  • Udupi Taluk
  • Kolatnadu

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