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The Kalinga Emperor Kharavela and Musical Developments in Ancient India

By Abhaya Prakash Jain

Vol. 20 · No. 021999pp. 14–16English

Summary

Emperor Kharavela of the Mahameghavahana dynasty, ruling Kalinga in the 2nd century BCE, is renowned for his patronage of Jainism and the arts, as detailed in the Hathigumpha inscription at Udayagiri near Bhubaneswar, Odisha. This 17-line Prakrit inscription in Brahmi script, dated to approximately 172 BCE, offers a chronological account of Kharavela's reign, highlighting his contributions to religion, culture, and infrastructure. Kharavela's early life was marked by comprehensive education in various disciplines, including writing, administration, music, dance, and military tactics. He ascended to the throne at the age of 24, initiating significant public works such as the restoration of Kalinganagari (identified with Sisupalgarh), construction of water reservoirs, and development of gardens. A devout follower of Jainism, Kharavela's reign saw the resurgence of the religion in Kalinga, which had experienced a decline following Ashoka's propagation of Buddhism. His patronage extended to the arts, with the Hathigumpha inscription noting his support for music, dance, and drama. He organized cultural festivals and performances, and the Udayagiri and Khandagiri caves from his era feature carvings of dancers and musicians, indicating a flourishing artistic environment. The inscription also records Kharavela's military campaigns, including expeditions against the Satavahanas and other contemporary powers, reasserting Kalinga's independence and influence. His reign is characterized by a blend of military prowess, religious devotion, and cultural patronage, contributing significantly to the historical and cultural legacy of ancient India.

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Conclusion

Emperor Kharavela of Kalinga, as documented in the Hathigumpha inscription, exemplifies a ruler who seamlessly integrated military prowess, administrative acumen, and cultural patronage. His reign in the 2nd century BCE marked a resurgence of Jainism and a flourishing of the arts, particularly music and dance, which he actively promoted and personally engaged in. Kharavela's commitment to public welfare is evident in his infrastructural projects and tax reforms, reflecting a governance model that prioritized the prosperity and cultural enrichment of his subjects. The inscription portrays him as a "Raj Rishi" and "Dhamma Rishi," indicating a harmonious blend of temporal authority and spiritual devotion. Through his multifaceted contributions, Kharavela not only restored Kalinga's prominence post-Mauryan conquest but also left an enduring legacy in India's historical and cultural tapestry.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The bright illumination and resurgence of Jainism in Kalinga is a phase in the history of Jain religion and the history of ancient Orissa in India.”
  • “The inscription reveals matter about music, dance, dramatics and Kharavela’s learning of various fine arts such as painting, dancing, instrument playing, dramatics, drafting, counting etc.”
  • “The description of Orissan dance, songs and instrumental music in the Hathigumpha inscription is found similarly in the inscription of Magheshwar temple of 1193 -1195 C.E. and the Ananta Vasudeva temple dated 1278 C.E.”

Works cited in this article

  1. Canadian Studies in Jainism, p.15, Jain Humanities Press, Canada 1996.
  2. The Hathigumpha Inscription of Kharavela, p.3, Prints India, Delhi India 1971.
  3. K.K. Patnaik, Position of Music in Orissa, p.65.
  4. R. L. Benarjee and K.P. Jaiswal’s translation "dami adhivadimiti" is not doubtful comparing eighth line inscription.

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