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On the Allegory of Parasmani

By Mahendra Kumar Jain

Vol. XVI · No. 3Jan - 1982pp. 122–124English

Summary

This article explores the allegorical significance of the parasmaṇi or sparśamaṇi—a fabled touchstone that turns base metals into gold—within Indian religious and literary traditions. Drawing on references from the Śrī Kṛṣṇa Janma Mākhāṇḍa of the Brahmavaivarta Purāṇa, where the miraculous gem is listed among pearls and diamonds, the author explains that early texts often treat the parasmaṇi as a symbol of ultimate purity. He notes that Jain and Hindu stories mention statues carved from parasmaṇi, such as a legendary image of the Buddha at the Tholing Monastery in Tibet. The allegory becomes more vivid in Bengali folklore and literature: the poet Rabindranath Tagore, in works like “Paraspāṭhar,” tells of an ascetic wandering long in search of the philosopher’s stone. After years of futile quest he unwittingly transforms his own iron chain into gold when a village boy points out the stone; remorseful at his earlier ignorance, he dedicates his remaining life to spiritual pursuits. Another legend describes how Sanātana, a follower of Śrī Caitanya, discards a parasmaṇi into the river after realising that true wealth lies in devotion, not in material riches. The author argues that these stories emphasise inner transformation: the ‘gold’ that the stone produces represents the refinement of the soul rather than accumulation of wealth. He also suggests a possible etymological link between the words paras (touch) and the name of the Jaina Tirthankara Pārśvanātha (Parasnāth). The presence of serpent imagery in Jain iconography, especially in depictions of Pārśvanātha, may connect the allegory of the gem to Jaina narratives. Furthermore, the essay points to cross‑cultural parallels with the Western alchemical “philosopher’s stone,” implying a shared human fascination with the idea of transmutation. The piece concludes that, regardless of its historical veracity, the parasmaṇi continues to serve as a powerful metaphor for the spiritual process by which a seeker transforms base tendencies into noble virtues. By weaving together scriptural citations, folklore and literary examples, the article invites readers to interpret the legendary stone not as a means of material enrichment but as a symbol of the transformative power of faith and wisdom.

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Conclusion

The allegory of the parasmaṇi functions on multiple levels. In myth and literature it promises miraculous wealth, yet the narratives invariably end with protagonists realising that material gold pales beside spiritual enlightenment. By connecting the stone to Pārśvanātha and highlighting its appearance in both Hindu and Jaina contexts, the author underscores the shared moral that true alchemy occurs within the heart. The essay thus encourages readers to abandon the endless search for external wealth and instead cultivate virtues that can transmute suffering and ignorance into compassion, clarity and lasting happiness.

Key passages

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  • “The early Indian texts and traditions at times contian references of a legendary stone named sparfamani or paraimani (Bengali, also paras-Ppathar).”
  • “As if in conformity with its name Philosopher’s stone it subtly refers to the charisma and magnetic glory of saints who were capable to convert the dross in man into pure gold, scientillating and without blemish.”
  • “In this perspective one may wonder whether the word paras (lit, touch) had been originally derived from the name of Parsva or Prarasnath, the 23rd Tirthankara who being a historical figure in all liklihood preceded Vardhamana Mahavira.”

Works cited in this article

  1. Srikrsnajanmakhanda of the Brahmavaivarta Purana

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