Paresh Chandra Dasgupta

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. Vol. XVIII · No. No. 4

Open

Jain Journal A Quarterly on Jainology

On Jainism in Eastern India

Paresh Chandra Dasgupta’s short article situates the Nirgrantha (Jaina) religion in the deep antiquity of the Indian sub‑continent. While later Tirthankaras like Parsvanatha are recognisable…

April - 1984Vol. Vol. XVIII · No. No. 4pp. 121–121

Regional Artistic Styles+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 17 · No. 3

Open

Jain Journal A Quarterly on Jainology

Jainism in Ancient Bengal

By Paresh Chandra Dasgupta

Jainism in Ancient Bengal emphasises the long and distinctive history of the Nirgrantha (Jain) tradition in Bengal. The author notes that Jainism, an ancient institution of thought aimed at attaining…

Jan - 1983Vol. 17 · No. 3pp. 81–84

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 16 · No. 4

Open

Jain Journal A Quarterly on Jainology

From an Unknown Star

By Paresh Chandra Dasgupta

Paresh Chandra Dasgupta’s contemplative poem transports readers to a bleak mountain landscape under a primordial sky. Through vivid imagery he describes rocky valleys fringed by forests, ancient…

April - 1982Vol. 16 · No. 4pp. 187–187

+1

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 16 · No. 4

Open

Jain Journal A Quarterly on Jainology

Prince Nemi's Longing for Eternity – Lalwani’s Opera

By Paresh Chandra Dasgupta

Paresh Chandra Dasgupta’s article introduces Ganesh Lalwani’s opera ‘Nemi Pravajya’, which adapts the story of Prince Neminatha into a musical theatre piece. The author explains that the opera…

April - 1982Vol. 16 · No. 4pp. 178–182

+1

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 16 · No. 4

Open

Jain Journal A Quarterly on Jainology

The Renunciation of Nemi

By Paresh Chandra Dasgupta, Ganesh Lalwani

Ganesh Lalwani’s five‑scene dance drama brings to life one of the defining stories of Jain tradition: Prince Nemi’s decision to renounce worldly life on his wedding day. Scene I sets the stage with…

April - 1982Vol. 16 · No. 4pp. 155–169

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 16 · No. 2

Open

Jain Journal A Quarterly on Jainology

The Daughters of Heaven in the Art of the Nirgrantha

By Paresh Chandra Dasgupta

This richly illustrated study examines the depiction of celestial maidens—the ‘daughters of heaven’—in the art of the Nirgrantha (Jain) tradition. The author begins by contrasting Greek…

Oct - 1981Vol. 16 · No. 2pp. 47–58

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 15 · No. 4

Open

Jain Journal A Quarterly on Jainology

The Story of Bharata and Bahubali (Part 2)

By Paresh Chandra Dasgupta

The concluding half of Malvania’s paper extends his survey to later Jain texts, inscriptions and historical literature. He reviews the Avasyaka‑niryukti and its commentaries, Ravisenḍa’s Padmacarita,…

April - 1981Vol. 15 · No. 4pp. 165–188

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 15 · No. 1

Open

Jain Journal A Quarterly on Jainology

Tirthankaras, Pratyeka Buddhas and the Ascent of Man

By Paresh Chandra Dasgupta

The article "Tirthankaras, Pratyeka Buddhas and the Ascent of Man" by P.C. Das Gupta examines the evolution of early hominids, tracing their physical development from primitive apes to early humans…

July 1980Vol. 15 · No. 1pp. 15–21

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. XIV · No. 3

Open

Jain Journal A Quarterly on Jainology

Gautama Prccha — A Drama on An Ancient Thought and Dialogue

By Paresh Chandra Dasgupta

P. C. Dasgupta introduces and analyses a dramatic work titled "Gautama Prccha" (literally, "Questions of Gautama") that reimagines a pivotal encounter between the Vedic scholar Indrabhuti Gautama and…

Jan - 1980Vol. XIV · No. 3pp. 106–108

Karma Doctrine Explanation+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 14 · No. 1

Open

Jain Journal A Quarterly on Jainology

Abhayaruci – A Splendid Drama on Love and Non‑violence

By Paresh Chandra Dasgupta

This review introduces “Abhayaruci,” a drama by Ganesh Lalwani that extols the power of love and non‑violence. The plot follows King Maridatta, who, under the influence of the occultist Kaula Vira…

July - 1979Vol. 14 · No. 1pp. 32–35

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 13 · No. 4

Open

Jain Journal A Quarterly on Jainology

Book Review – Treasures of Jaina Bhandaras

By Paresh Chandra Dasgupta

The book review discusses "Treasures of Jaina Bhandaras," edited by Umakant P. Shah and published by the L. D. Institute of Indology, Ahmedabad, as part of the L. D. Series 69. The book catalogues…

April - 1979Vol. 13 · No. 4pp. 164–165

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 13 · No. 2

Open

Jain Journal A Quarterly on Jainology

Book Review: More Documents of Jaina Paintings and Gujarati Paintings of Sixteenth and Later Centuries

By Paresh Chandra Dasgupta

P.C. Das Gupta reviews Dr. Umakant P. Shah’s book ‘More Documents of Jaina Paintings and Gujarati Paintings of Sixteenth and Later Centuries,’ praising it as a significant contribution to Indian art…

Oct - 1978Vol. 13 · No. 2pp. 81–83

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 13 · No. 1

Open

Jain Journal A Quarterly on Jainology

Mrigavati—A Drama on a Queen’s Emancipation

By Paresh Chandra Dasgupta

The reviewed play dramatizes the legendary story of Queen Mṛgāvatī, celebrated in Jain literature for her courage and piety. As the consort of King Śatānīka of Kauśāmbī, Mṛgāvatī faces a dilemma…

July - 1978Vol. 13 · No. 1pp. 39–42

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. XII · No. 3

Open

Jain Journal A Quarterly on Jainology

An Obesiance to the Source of Uncreated Light

By Paresh Chandra Dasgupta

In this article P.C. Dasgupta describes a cultural performance staged in April 1977 at the Ahimsa Pachar Samiti hall in Calcutta to celebrate the birth of Tīrthaṅkara Mahāvīra. The production,…

Jan - 1978Vol. XII · No. 3pp. 110–111

Non-Violence DoctrineJain Philosophical Principles+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 12 · No. 2

Open

Jain Journal A Quarterly on Jainology

Stupa in Mexican Art

By Paresh Chandra Dasgupta

P. C. Das Gupta’s article “Stupa in Mexican Art” investigates parallels between the stupa—hemispherical or domed memorials central to Buddhist and Jain architecture—and ancient Mexican art and…

October - 1977Vol. 12 · No. 2pp. 51–60

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. XI · No. 3

Open

Jain Journal A Quarterly on Jainology

Book Review

By Paresh Chandra Dasgupta

The book review section discusses two scholarly works that contribute to our understanding of Jain history and culture. The first book, “Jaina Sects and Schools” by Muni Uttam Kamal Jain (Concept…

Jan - 1977Vol. XI · No. 3pp. 114–120

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. XI · No. 3

Open

Jain Journal A Quarterly on Jainology

On the Emblem of Abhinandana

By Paresh Chandra Dasgupta

Abhinandananātha, the fourth Tīrthaṅkara, was born in Ayodhyā and later renounced his royal life to pursue asceticism and spiritual awakening. He taught that perseverance, self‑discipline and ethical…

Jan - 1977Vol. XI · No. 3pp. 81–88

+1

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. XI · No. 3

Open

Jain Journal A Quarterly on Jainology

On the Emblem of Abhinandana

By Paresh Chandra Dasgupta

Abhinandananātha, the fourth Tīrthaṅkara, was born in Ayodhyā and later renounced his royal life to pursue asceticism and spiritual awakening. He taught that perseverance, self‑discipline and ethical…

Jan - 1977Vol. XI · No. 3pp. 81–88

+2

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. XI · No. 1

Open

Jain Journal A Quarterly on Jainology

In the Foot-steps of the Jina - The Stage Version of Atimukta and Nagila

By Paresh Chandra Dasgupta

P.C. Das Gupta reviews two theatrical adaptations that breathe new life into Jain legends and demonstrate the enduring power of religious art. The plays—Atimukta and Nāgilā—were scripted by Sri…

July - 1976Vol. XI · No. 1pp. 26–33

+1

JJ

Aryan Culture

Jain Journal A Quarterly on Jainology

Vol. 10 · No. 4

Open

Jain Journal A Quarterly on Jainology

In Memorium: Dr. P. B. Pandit

By Paresh Chandra Dasgupta

P. C. Das Gupta’s brief obituary commemorates Dr P. B. Pandit (1923–1975), a linguist and scholar of old Gujarati and Prakrit manuscripts. Born on 13 June 1923 in Valabhi in Saurashtra, Pandit came…

April 1976Vol. 10 · No. 4pp. 174

+2

Articles

On Jainism in Eastern India

Jainism in Ancient Bengal

From an Unknown Star

Prince Nemi's Longing for Eternity – Lalwani’s Opera

The Renunciation of Nemi

The Daughters of Heaven in the Art of the Nirgrantha

The Story of Bharata and Bahubali (Part 2)

Tirthankaras, Pratyeka Buddhas and the Ascent of Man

Gautama Prccha — A Drama on An Ancient Thought and Dialogue

Abhayaruci – A Splendid Drama on Love and Non‑violence

Book Review – Treasures of Jaina Bhandaras

Book Review: More Documents of Jaina Paintings and Gujarati Paintings of Sixteenth and Later Centuries

Mrigavati—A Drama on a Queen’s Emancipation

An Obesiance to the Source of Uncreated Light

Stupa in Mexican Art

Book Review

On the Emblem of Abhinandana

On the Emblem of Abhinandana

In the Foot-steps of the Jina - The Stage Version of Atimukta and Nagila

In Memorium: Dr. P. B. Pandit

Scholars on similar subjects