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Journey to the Home in the Lotus

By Leona Smith Kremser

Vol. 29 · No. 1July - 1994pp. 1–8English

Summary

Journey to the Home in the Lotus retells the legend of Rajimati, the noble bride of the twenty‑second Jain Tirthankara Aristanemi (also known as Neminatha). The poet reconstructs the wedding day at Dwaraka when Neminatha renounces worldly life rather than condone the slaughter of animals for the feast. The narrative evokes the pageantry of the procession with banners, horses and warriors while highlighting the compassion that prompts the groom to free the animals and leave. Rajimati is abandoned but refuses to remarry, adopting the vow of a nun and following a path of solitary renunciation. Throughout the poem she wrestles with grief, pride and attachment. Dream sequences allow her to encounter kings and cosmic images that symbolise the ethical principles of Jainism: non‑violence, compassion and the equality of all souls. As she journeys toward Mount Girnar, the lotus becomes a central metaphor for spiritual awakening; it appears in the austere cave where she meditates and in visions of the universal law that binds all beings. The text interweaves episodes from Rajimati’s life with philosophical reflections about greed, aversion and the cycles of birth. Rajimati learns to relinquish earthly expectations and embrace the inner guide, recognising that true love involves the welfare of all creatures. Eventually, she attains liberation on Mount Girnar, completing the ‘journey home’ promised in the title. By combining narrative, lyric description and doctrinal exposition, the poem conveys both the human emotion of a young bride and the transcendental ideal of ahimsa. It also restores agency to a female figure who is mentioned only briefly in canonical texts, offering a compassionate portrait of her courage and spiritual insight.

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Conclusion

Through rich imagery and lyric narrative, this poem portrays Rajimati’s transformation from abandoned bride to enlightened ascetic. Her compassionate refusal to condone violence, her struggles with attachment and her eventual liberation on Mount Girnar illustrate core Jain values of non‑violence and renunciation. The story invites readers to reflect on the depth of spiritual commitment and the universality of the lotus‑like soul.

Key passages

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  • “Jaina tradition has nothing but fragments from the life of the bride of the twenty-second Wayshower, Aristanemi,circa 1500 BC.”
  • “To others do also, as you would be done to, O righteous radiance, for all living beings.”

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  • Journey is a biographical recreation, her lifestory as it might have been.

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