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The Home-Land of Visnusarma

By Sarat Chandra Behera

Vol. 38 · No. 2 & 3June & Sept. 1962pp. 160–167English, Sanskrit

Summary

This article re‑examines the long‑standing question of where Viṣṇuśarman, the reputed author of the Pañcatantra, originated. Earlier scholars like Hertel speculated that the work was composed in Kashmir, partly because of the absence of elephants and lions in its stories and mention of camels. The author tests this hypothesis by analysing internal descriptions and names. The Pañcatantra refers to a coastal country abundant in coconut, jackfruit and sugarcane, and its narratives mention the shrine of Mahendra and rivers such as the Indravati—features associated with Kalinga in eastern India. Proper names of Brahmins and officials in the stories match those found in the Mathara records of Kalinga and the Ganga and Eastern Ganga dynasties. The article argues that the presence of elephants in several tales and the lack of camels undermine the Kashmir theory. Geographical hints point instead to a south‑eastern homeland along the Bay of Bengal. The author notes that the Pañcatantra attained global fame through translations but that the original context of its composition has been obscured. By correlating textual details with epigraphic data from Kalinga, the study concludes that Viṣṇuśarman likely lived in the coastal region of Kalinga (modern Odisha/Andhra Pradesh) during the early centuries of the first millennium. This identification situates the fables within a milieu of maritime trade and cosmopolitan culture and explains some of the work’s distinctive motifs.

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Conclusion

Comparing internal evidence from the Pañcatantra with inscriptions and geographical markers, the article contends that Viṣṇuśarman’s homeland was not Kashmir but coastal Kalinga. References to sea‑side settings, flora and rivers align with eastern India, while names correspond to local inscriptions. The study thus relocates the origin of one of the world’s most famous fable collections to the eastern seaboard and offers a more plausible cultural context for its composition.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Students of oriental learning are aware of the fact that the Paficatantra, a very important work on beast-fables, attained wide celebrity in many pares of દો civilised world 85 early as the middle of पीट sixth century A. [2.૫ 1. Hertel? gives a 150 of over 200 different verstons of this book which was known to the entire region extending from Java to Iceland.”
  • “The Pasicatantra deals with stories and hence indeed 1૬ 15 difficule to bring out [૧૦૦૬૩ of truth from fiction.”
  • “Thus from the illustrations cited above, we ૯૦10૯ ૬૦ the con- clusion that the topography of ‘Tittibha Dampati Katha® refers ए0 Kalinga.”

Works cited in this article

  1. History of Sanskrit Literature, vol. 1 [. 88
  2. lbid., p. 248
  3. संस्कृतसादित्येतिद्दासः हंसराज श्रव્વાત્તઃ >> द्वितीय भाग ણ: ૪%.
  4. Das 2404448074, p. 451f
  5. See Pasicatantra (published in 1959 by Chowkhamba Vidyabhavan), p. 2, and (Paficama tantra), p. 67

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