Articles discussing Kalidasa
Kalidasa
Sushil Kumar De · The Indian Historical Quarterly, 1940
“In Kalidasa we are introduced at once to something new which no one hit upon before, something perfect which no one achieved, something incomparably great and enduring for all ume.”
Kalidasa's Malavikagnimitra: a Study
The Historical Background of the Works of Kalidasa
C. Kunhan Raja · The Indian Historical Quarterly, 1942
“Afrer accepting this connection, the attempt of scholars has been ૬૦ fix the particular Vikramaditya 10 whose reign Kalidasa could 1137૯ flourished.”
Pumskokilakujita in Kalidasa
Sushma R. Kulshreshtha, Abha Kulshreshtha · Sambodhi, 2006
“Dipasikha Kalidasa, a peerless poet par excellence, was acquainted with and affluent in various systems of Philosophy, several schools of religious beliefs, Politics, Economics, Dramaturgy, Erotology, Music and Fine Arts and Plant-science too.”
Some of the Fine Arts depicted by Kalidasa
Bhagwat Saran Upadhya · The Indian Historical Quarterly, 1939
Kalidasa in China
Kavi Putra of Kalidasa - A Critical Review (Part 1)
Sudarshan Kumar Sharma · Sambodhi, 1983
“Kaviputra- if construed to be a playwright must denote a play- wright of fabulous renown 01 else Kalidasa could hardly date to have extolled him in such a laudable tone as to feel a sense of inferiority complex in comparision to his talent,”
Fixing up of Some Variants from Kālidāsa
Tapasvi Shambhuchandra Nandi · Sambodhi, 1982
“The object of this small paper is to draw attention of all learned scholars towards a very important missing link in the field of text-criti- of the works of Kalidasa.”
History of Sanskrit Literature of Kashmir
Sunil Chandra Ray · The Indian Historical Quarterly, 1955
“The reasons in favour of the identification of Macrgupeta with Kalidasa, however, are not convincing.”
Text and Interpretation of some Verses of the Meghaduta
Rajendra Chandra Hazra · The Indian Historical Quarterly, 1949
“Kalidasa’s Megha-duta has got to its credit no less than fifty commentaries which were written at different times in different parts of the country, but these commentaries seldom agree with one another in giving the original text of the poem and the true interpretation of many of the words or expressions occurring in the individual verses.”
A Jaina Adaptation of Raghuvamsa (Canto IV)
Satyavrat Verma · Jain Journal A Quarterly on Jainology, 1984
“The expedition undertaken by Mahasena, the rtler of Candrapuri and father of the prospective Tirthankara Candraprabha in the sixteenth Canto (24-54) of Candraprabhacarita (CPC), follows the digvijaya of Raghu, detailed by Kalidasa in canto four of Raghuvam§a, with such precision that for all purposes, it purports to be a compendium ever”
Bhavabhuti
Natyasastra, Sanskrit Drama and Its Theatre
Radhavallabh Tripathi · Sambodhi, 1996
“Kalidasa evinces great regard for Bharata as the exponent par excellence of the art of theatre.”
Authorship of R̥tusaṃhāra: A Reappraisal
Satyavrat Verma · Sambodhi, 1979
“Perhaps no other work attributed to Kalidasa has évoked so sharp a controversy about its authorship as the little ‘Cycle of seasons’, the Rtusam-bara.”
The Malaya Mountain in Kālidāsa
C. Kunhan Raja · The Indian Historical Quarterly, 1946
“Thus the two references to the relation of the sea to the Malaya mountain in Kalidasa’s Raghuvarnga clearly indicate that the Malaya mountain must have been on the east coast.”
Kalidasa’s Reference to a Custom of the Hūnas in the Raghuvaṃśa
Vasudeva S. Agrawala · The Indian Historical Quarterly, 1957
Kalidasa's Treatment of Nature in Ritusamhara
K. Rama Pisharoti · The Indian Historical Quarterly, 1948
“Kalidasa views the varied phenomena of nature as correlated parts of a whole and observes a "unity underlying che manifest variety in nature, which is a necessary complement of life.”
Select Contents of Oriental Journals
The Indian Historical Quarterly, 1942
“The writer thinks that the Raga concept was in vogue in the days of Kalidasa and that the Nati’s song inthe drama A bhijnana-Sakuntala had been cast in the ‘Sgrang’ Raga.”
On the Economic Geography of Kalidasa
Krishnadeva Upadhaya · The Indian Historical Quarterly, 1937
A History of Sanskrit Literature, Classical Period (Review)
Adinath Neminath Upadhye · The Indian Historical Quarterly, 1949
“Whether we put A’vaghosa or Kalidasa earlier makes a world of differ-ence in our values of estimating the evolution of Sanskrit ornate poetry.”
Insects in Ancient Jain Literature and Culture
K. G. Sheshadri · Jain Journal A Quarterly on Jainology, 2013
Bharata - Bahubali - Mahakavya : A Critique
Satyavrat Verma · Sambodhi, 1997
“Notable for its myriad virtues and faithful adherence to the Mahakavya — tradition, as fostered by masters like Kalidasa and Magha, the Bharatabahubali — mahdkdavya (BBM) has the unenviable distinction of surviving 8 series of disasters that it encountered in its chequered history.”
Kalidasa in China
Śokaḥ Ślokatvam Āgataḥ (Dhv. I. Sd)
Tapasvi Shambhuchandra Nandi · Sambodhi, 1982
Aesthetic Experience of Visual Arts
G. C. Tripathi · Sambodhi, 2015
The influence of various darśanas on the interpretation and presentation of the Rasa Theory
P. R. Vora · Sambodhi, 2002
Contributions to the Bhasa Question
The Mangalastaka of Kālidāsa
Patanjali
Prabhat Chandra Chakravarti · The Indian Historical Quarterly, 1926
“The artificial poetry, it must છઠ remewbered, does not begin with Bhass or Kalidasa, but goes back to a much earlier datc.”
“Rhinoceros-Slayer” Type of Coins of Kumaragupta I
Bratindra Nath Mukherjee · The Indian Historical Quarterly, 1955
The Mahabhāṣya
Prabhat Chandra Chakravarti · The Indian Historical Quarterly, 1925
The Bhasa Problem
K. Rama Pisharoti · The Indian Historical Quarterly, 1925
“The publication of & drama under the title Svapnavasava- datta, and the consequent resuscitation of the ancient dramatist, Bhasa, the illustrious predecessor of Kalidasa, burst vpon Sanskritists like a flash of lightning.”
The Kaumudimahotsava and the Date of Kalidasa
Dasharatha Sharma · The Indian Historical Quarterly, 1935
“That she did ૩૦ shows that Kalidasa must have Hourished some cen- turies earlier, and become 50 famous by her time, thai one impro- vising a drama naturally went to his works, and did not feel very much abashed, even if the audience detected some of the maater poet’e ideas 10 his एक her composition”
The Bhasa Problem - II, III. (Implications of the theory)
Some Interesting Cultural Data in the Bhuvanasundarī‑Kathā
M. A. Dhaky · Sambodhi, 2012
Some Royal Poets of the Vakataka Age
Select Contents of Oriental Journals
Natyasastra and Indian Theatre
Radhavallabh Tripathi · Sambodhi, 1992
On an Anonymous Hemistich Cited in Vāmana’s Kavyālankāra-sūtra-vṛtti
Biswanath Bhattacharya · Sambodhi, 1977
“However, Vamana's above satra along with the illustrative hemistich has been cited anonymously with some negligible variants by Psma-Sara-svati 2 and Rsi-putra Paramejvaras in their respective commentaries on Kalidasa's Megha-sandeia, 1/2.”
A Puzzle for the Scholars of Buddhist History
Nagin J Shah · Sambodhi, 1994
The Rejection of Sita in Ramayana‑Based Plays
Chitra P. Shukla · Sambodhi, 1983
Upavedas – Arthashastra in Ramayana
Rajalakshmi Srinivasan · Sambodhi, 2004
Poetic Creativity; its Manifold manifestations and evaluation
Tapasvi Shambhuchandra Nandi · Sambodhi, 2005
Observations on the use of Kr
Satyavrat Verma · Sambodhi, 2011
Select Contents of Oriental Journals
The Arthasastra Material in the Raghuvamsa
Bhasa as a Prakrit Poet
Were the Vākāṭakās the Rulers of Aśmaka?
Dineshchandra Sircar · The Indian Historical Quarterly, 1946
The Kaumudimahotsava and the Date of Kalidasa
Reviews
Mano Mohan Ghosh, U. N. Ghoshal, D. R. Mankad, D. L. De · The Indian Historical Quarterly, 1933
Kuntaka's Conception of Guṇas
Vedānta and the Vedāntist
Umesh Chandra Bhattacharya · The Indian Historical Quarterly, 1929
Reviews
Dinesh Chandra Bhattacharya, Batakrishna Ghosh · The Indian Historical Quarterly, 1929
Puṣyāmitra and the Śuṅga Empire
The Women of the Meghadūta
The Indian Historical Quarterly, 1928
“If Kalidasa is thus a great poet of humanity, he is also a child of the age in which he lived, There are good reasons for believing that in his works generally and in the Meghadiita in particular he has reflected 10 a great measure the habit, tastes and opinions of his con- temporaries in the words and actions of पिंड heroes and heroines,”
The Concept of Ardhanarisvara in Tamil Literature
T. Kausalya Kumari · Journal of Indian History and Culture, 2019
Vira-Swarga Concept in South Indian Hero Stones
B. Ranganathan · Journal of Indian History and Culture, 1997
Sivavilasa
Major progress linking modern science and Vedic science
S. N. Bhavasar, R. W. Boyer · Sambodhi, 2009
Ardhanarisvara in South Indian Sculpture
K. S. Ramachandran, C. Krishnamurthi · The Indian Historical Quarterly, 1960
Kayastha-its Evolution, A Critical Review
Sudarshan Kumar Sharma · Sambodhi, 2005
Variants from Venisamhara and the Kavyaprakasa of Mammata
Jagruti S. Pandya · Sambodhi, 1996
Select Contents of Oriental Journals
A Note on Sanmukha Karttikeya
Lalit Kumar · Sambodhi, 1983
Select Contents of Oriental Journals
The Kautiliya Arthasastra on Forms of Government
Srngare Vipralambhakhye
Ramesh S. Betai · Sambodhi, 1983
“The deep suffering of pathos, that is not likely to find full expression, even in the best words in best order, of a poet of Kalidasa"s stature, is hinted at by the very fine example of hard and stuffy subslancelike iron melting down when heated.”
On the Identity of the Buddha-vinoda-kavya
Dr. Radhakrishnan on the Philosophy of the Upanisads
Ramesh S. Betai · Sambodhi, 1989
Sri Harsa, the King-Poet (The Authorship of Sri Harsa)
Sri-Harsa, the King-Poet
Depiction of Nature in Prakrit Literature
K. Kamala · Jinamanjari, 1995
The Birth-place of Bhavabhuti
Prepositions in Aśvaghoṣa
Satyavrat Verma · Sambodhi, 1977
Patañjali as he reveals himself in the Mahābhāṣya
Prabhat Chandra Chakravarti · The Indian Historical Quarterly, 1926
The Target of Criticism in Bhamaha’s Kavyalankara IV 39–47
Narayan M. Kansara · Sambodhi, 1973
Select Contents of Oriental Journals
Who was the Gupta contemporary of the Kadamba King Kakusthavarman?
N. Lakshminarayan Rao · The Indian Historical Quarterly, 1933
Origin and Development of Theatre in Ancient India
Radhavallabh Tripathi · Sambodhi, 1994
Hymn to Mahavira
Jina Ballabha Suri · Jain Journal A Quarterly on Jainology, 1967
Some Sanskrit Texts on Painting
Hemacandra and Chandanusasana by S Sengupta
Reviews
Satkari Mookherjree, Sushil Kumar De, Nalinaksha Dutt, Kalhana · The Indian Historical Quarterly, 1930
The Candidas-Problem
Aesthetic Distancing In Sanskrit Drama
B. K. Thakkar · Sambodhi, 1990
Some Less Known Verses of Siddhasena Divākara
M. A. Dhaky · Sambodhi, 2020
“The illustrious Jaina epistemologist, dialectician, and poet of the calibre of Kalidasa, namely Siddhasena Divakara (c. late 4* and early 5% cent. A.D.) had produced more than what today is extant.”
Sri Lakshmi in Auspicious Symbols: Svastika, Srivatsa, and Divine Iconography
Religion of Kavikankana Mukundarama Cakravarti
Basanta Kumar Chatterjee · The Indian Historical Quarterly, 1928
Jain Murals in Eastern & Western Malwa: Historical Perspective
Narmada Prasad Upadhyaya · Jain Avenue, 2020
Origins of Hindu Iconism
Review: Bhoja and Haravijaya of Sarvasena by Dr. V. M. Kulkarni
Narayan M. Kansara · Sambodhi, 1992
Books – Reviews
Satya Ranjan Banerjee · Jain Journal A Quarterly on Jainology, 2002
The Asta-murti concept of Siva in India, Indo-China and Indonesia
Kamleshwar Bhattacharya · The Indian Historical Quarterly, 1953
“The Asta-tanu concept of Siva finds prominence in the works of Kalidasa.”
Some Observations on Pusyamitra and his Empire
Ramesh Chandra Majumdar · The Indian Historical Quarterly, 1925
“It appears to me, therefore, certain, that by the river Sindhu Kalidasa certainly meant the famous river of the Panjab.”
Review of Apabhramṣa Bhāṣā Kī Śodha‑Pravṛtiyā
Satya Ranjan Banerjee · Jain Journal A Quarterly on Jainology, 1997
Huns, Yavanas and Kambojas
Sashi Bhusan Chaudhuri · The Indian Historical Quarterly, 1950
Ramayana Scenes in Rajasthan Sculptures
Ratna Chandra Agrawala · The Indian Historical Quarterly, 1954
Salient Common Features between Jainism and Buddhism
B. H. Kapadia · Jain Journal A Quarterly on Jainology, 1988
“These two powerful religions considered as heterodox by the school of Indian philosophy do not believe in the authority of the Vedas i.e. they consider the Vedas as composed by human beings like the works of Kalidasa, Bhavabhuti, Shakespeare, Milton, Shelly, Goete, Schiller, etc.”
The Nature of Pusyamitra Sunga’s Rule
Select Contents of Oriental Journals
The Indian Epics in Indo-China
Ramesh Chandra Majumdar · The Indian Historical Quarterly, 1946
Kingdoms of the Deccan (mentioned in the Allahabad Pillar Inscription of Samudragupta)
Coins of the Dark Age
The Home-Land of Visnusarma
Sarat Chandra Behera · The Indian Historical Quarterly, 1962
Satavahana Polity