Articles discussing Bharata
The Guna-Doctrine in Bharata
Prakash Chandra Lahiri · The Indian Historical Quarterly, 1930
“Bharata makes the genas, along with dosas and alamkaras, subordinate to rasa બા the ground that they all constitute the vac/kddhinaya or anudhdva which calls forth”
Susruta, Caraka and Bharata
Ramendra Kumar Sen · The Indian Historical Quarterly, 1954
“1૮ basic relation between Bharata’s Narys-fastra and the old Science of physiology and pathology of the Ab‘yurvcda of Caraka and Sudruta is of very great interest and importance in the history of Aesthetics in India.”
The Story of Bharata and Bahubali (Part 1)
Dalsukh D. Malvania · Jain Journal A Quarterly on Jainology, 1981
The Story of Bharata and Bahubali
Dalsukh D. Malvania · Sambodhi, 1977
Pampa's Adi Purana
R. Tattacharya · The Jaina Gazette, 1929
“Bharata Chakravarti returned to his capital aiter having spent 60 thousand years over the conquest of the World (digvijaya).”
Natyasastra, Sanskrit Drama and Its Theatre
Radhavallabh Tripathi · Sambodhi, 1996
“In the classical tradition of Sanskrit drama, there is hardly any author who is unacquainted with the Natyasastra of Bharata.”
Life of Mahavira (Trisastisalakapurusacaritra)
Jain Journal A Quarterly on Jainology, 1973
“Now, in this same Bharata there is a very fair city, named Vinita, built in the past by the Indras for Yugadinatha (Risabha).”
Gommatesvara-Bahubali, the Great Saint
Umakant Premanand Shah · Jain Journal A Quarterly on Jainology, 1981
Comparative Study of Ramayana and Mahabharata: Origins, Themes, and Cultural Impact
S. Kuppusamy · Journal of Indian History and Culture, 2005
“According to tradition, the Mahabharata was penned by the elephant-headed deity Ganesa, as dictated by Sage Vyaasa.”
The Prakrits of the Drama: Their Literary Function as Illustrated by the Karpuramanjari
G. H. Schokker · Sambodhi, 1976
Problems of the Natyasastra
Riti and Guna in the Agni Purana
The Doctrine of Dosas in Sanskrit Poetics
K. Krishnamoorthy · The Indian Historical Quarterly, 1944
“The sixteenth chapter of Bharata’s Natya-iasira gives પડ for che first time an outline of dosas along with other topics pertaining to Sanskrit poetics.”
Rasanirupana of Ajitasenacharya
Parul N. Mankad · Sambodhi, 1990
Paumacariu
A Jaina View of Cosmos – a Comparative Study
Kastur Chand Lalwani · Jain Journal A Quarterly on Jainology, 1969
PAMPA'S ADI PURANA
R. Tattacharya · The Jaina Gazette, 1929
The Story of Bharata and Bahubali (Part 2)
Paresh Chandra Dasgupta · Jain Journal A Quarterly on Jainology, 1981
Bahubali
Ganesh Lalwani · Jain Journal A Quarterly on Jainology, 1979
Story Of Sri Bahubali
The Jaina Gazette, 1925
“Bharata, the eldest son born to Yasashvati and Bahubali, born to Sunanda, were famous. After having ruled the country for a long time and after having taught all branches of the householder's life (Grahasta Dharma).”
Paumacariu (Ayodhya Kanda)
Svayambhudeva · Jain Journal A Quarterly on Jainology, 1970
“Now learning that Dasaratha was to crown Rama the next day, Kaikayi became jealous and asked the king to give the throne to her own son Bharata and thus to honour his promise to give her the boons.”
Natyasastra and Indian Theatre
Radhavallabh Tripathi · Sambodhi, 1992
Gommata Colossus in Sravana Belgola
S. K. Ramchandra Rao · Jain Journal A Quarterly on Jainology, 1974
“The first of the twenty four Tirthankaras, was Rsabhadeva (called Adinatha), held in highest esteem. The subject of the Gommata colossus in Sravana Belgola, Karkala and Venur—all in Mysore State, is described in legends as the younger son of this first Tirthankara, the elder one being Bharata, after whom, according to the Jainas, India is celebrated as Bharatavarsa, Bharatakhanda or Bharatabhumi.”
Gommata Colossus in Sravana Belgola
S. K. Ramchandra Rao · Jain Journal A Quarterly on Jainology, 1981
Bāhubali: Messenger of Peace
Hampa Nagarajaiah · Jain Journal A Quarterly on Jainology, 2006
“Bahubali emerged victorious. Humiliated, Bharata set the cakra-ratna at his brother against fair rules of war. But cakra-ratna just went round Bahubali and returned to its master.”
Glimpses of Political History from the Natya Sastra of Bharata
Dileep Kumar Kanjilal · The Indian Historical Quarterly, 1962
Dr. De on the Nāṭyaśāstra
General Introduction to uparupakas and examination of Sri Gadita and Durnirika in particular
Tapasvi Shambhuchandra Nandi · Sambodhi, 2002
“Ten principal types of drama and also natika, the eleventh, are discussed by Bharata, and it may be noted that dramaturgists following Bharata accept practically all the features of these major dramatic forms without any deviation in their general concept and features.”
A Further note on Bharatavakya
Chintaharan Chakravarti · The Indian Historical Quarterly, 1931
“Far from citing & passage in any work ૦1 dramaturgy having reference to the Bharatavlkya, Mr, Jha vaguely proceeds to 58) that the earliest works on dramaturgy seem (૦ make referance to Bharatavikys”
Life of Mahavira (Mahapurana)
Jain Journal A Quarterly on Jainology, 1973
“As of heavenly kingdom, Indra is the Supreme Lord, so, of this city, Bharata, of the line of Iksvaku, son of Brisabha, was the king.”
The influence of various darśanas on the interpretation and presentation of the Rasa Theory
P. R. Vora · Sambodhi, 2002
Prahasanas in Sanskrit Literature – A Study of Its History
S. Ramratnam · Sambodhi, 1978
An Introduction to Jaina Cakravartis
Dandin's Conception of the Gunas
Prakash Chandra Lahiri · The Indian Historical Quarterly, 1931
The Jaina Contribution to Indian Political Thought
Bhaskar Anand Saletore · Jain Journal A Quarterly on Jainology, 1974
The Ādipurāṇa: The Genesis of Human History
Hampa Nagarajaiah · Jain Journal A Quarterly on Jainology, 2004
Mohenjo-Daro: Jaina Tradition and Evidence
Acarya Vidyanandi · Jinamanjari, 1996
Buddhistic And Jaina Versions Of The Story Of Rama
Adhir Chakravarti · The Jaina Gazette, 1926
Puṇyakuśala's Indebtedness to Māgha
Satyavrat Verma · Jain Journal A Quarterly on Jainology, 1996
“To be sure,the two burly texts represent respec- tively the Svetambara and Digambasra versions of the fascinating story of Bharata's fight with his refractory younger brother, Bahubali”
Origin and Development of Theatre in Ancient India
Radhavallabh Tripathi · Sambodhi, 1994
Origin and Development of the Sattaka
Chandramouli S. Naikar · Sambodhi, 1990
Religion (Dharma) - A Social Necessity: Jaina Perspective
Ram Prakash Poddar · Jain Journal A Quarterly on Jainology, 2004
Paumacariu
Wrong Account Of Jainism
The Jaina Gazette, 1925
When Was the Gommata Image at Sravana-Belgola Set Up?
A Sidelight on Social, Economic and Political Aspects of Civilization in its Beginning on the Basis of the Jaina Agamas
Aesthetic Distancing In Sanskrit Drama
B. K. Thakkar · Sambodhi, 1990
Theory of Riti and Guna in the Agnipurana
Prakash Chandra Lahiri · The Indian Historical Quarterly, 1933
The gathas and narasamsis, the itihasas and puranas of the Vedic literature
Bahubalin of South India and West India—A Comparative Study
R. N. Kumaran, M. Saranya Kumaran · Jain Journal A Quarterly on Jainology, 2007
Upavedas – Arthashastra in Ramayana
Rajalakshmi Srinivasan · Sambodhi, 2004
Select Contents of Oriental Journals
Hindu Theatre: An interpretation of Bharata’s second Adhyaya
Rasa and its Pleasurable Nature
V. M. Kulkarni · Sambodhi, 1984
The Opening Speech Of His Highness The Maharaja Of Mysore.
The Jaina Gazette, 1925
On the Origin of the Hindu Drama
Mano Mohan Ghosh · The Indian Historical Quarterly, 1955
“Brahman who compiled the first treatise on the dramatic art once asked Bharata to prepare for the production of a play named Amrtamanchana which he (Brahman) composed, and chen accompanied by the latter as well as other gods, he wene to the Himilaya che abode of Siva to see this play produced before the latter.”
Some Aspects of the Rasa‑Theory
Tapasvi Shambhuchandra Nandi · Sambodhi, 2004
Poetic Creativity; its Manifold manifestations and evaluation
Tapasvi Shambhuchandra Nandi · Sambodhi, 2005
Location of Rasa
V. M. Kulkarni · Sambodhi, 1990
“From the passage and the stanzas translated above it would seem that Bharata held the view that the permanent emotions are themselves rasas and that they are found in the drama.”
Hemacandra and Chandanusasana by S Sengupta
A Rare Jaina Icon from Sat Deuliya
Paresh Chandra Dasgupta · Jain Journal A Quarterly on Jainology, 1973
“The Jaina traditions speak of the first st#pa and shrine, erected by Bharata, on the mountain on which Risabhanatha obtaned the nirvana. The shrine and the stupas erected, Bharata made eight terraces (asta-pada) between the foot and the top of the mountain hence the name Astapada given to the mount.”
Jainism
Srichand Rampuria · Jain Journal A Quarterly on Jainology, 1972
On some recent discussions relating to Ancient Indian Political Ideas
Satvant, Satvata and Nasatya
The Chando-Vedanga of Pingala
The Adipurāṇa and Brhatkatha
A. Venkatasubbiah · The Indian Historical Quarterly, 1929
“In the Kannada book Adipurana, which was written 10 AC. 941, ie, about 100 years later than Jinasena’s book of the same 08109, and whiel, like it, deseribes the life-story of the first Tirthenkaras, it is eaid in the introduction, by the anthor Pampa (&di-Pamps), that this story was first related by the ganadhara Vrgabhasena to 2૪1009 Bharata in the presence of the first Tirthankara,”
House - Holder's Life
Champat Rai Jain · The Jaina Gazette, 1929
Practices of Spiritual Advancement in the Jain Tradition
Vimal Prakash Jain · Jain Journal A Quarterly on Jainology, 2008
Jainism and Nepal
The Bhasa-Laksana Chapter of Gitalankara
Harivallabh Chunilal Bhayani · Sambodhi, 1976
“The GttaleAkmra, traditionally ascribed to Bharata, is a work on music It has been edited by Danlgou end Bhatt from a single mannscript !”
Some Jaina Bronzes in the National Museum, New Delhi
Brij Narain Sharma · Jain Journal A Quarterly on Jainology, 1975
“But the most interesting feature in this image is that Adinatha, besides being flanked by an attendant, has also the images of Bharata and Bahubali, his two sons, standing in k@yotsarga-pose, on his right and left sides respectively.”
Dearly Beloved
Leona Smith Kremser · Jain Journal A Quarterly on Jainology, 1977
Why are the Bahubali Colossi called 'Gommaṭa'?
The time of staging a Sanskrit Drama—A Note
The Puranic data on the Original Home of the Indo-Aryans
Fresh Evidence of Dandin's Composition of Kalapariccheda
Great Women in Jainism
Parallel Values and Ideals of the Indian Art
Images of Bahubali in Deogarh
Maruti Nandan Prasad Tiwari · Jain Journal A Quarterly on Jainology, 1985
“The earliest reference to the fight between Bharata and Babubali is found im the Paumecariva of Virsalasuri (c. 473 AD.) and the Avatyeka Niryakel (¢. th century A.D.).”
A Sloka of Bhasa
Sri Śaṅkara in Cambodia?
Select Contents of Oriental Journals
Some Sanskrit Texts on Painting
Prakrit Textual Criticism
Satya Ranjan Banerjee · Jain Journal A Quarterly on Jainology, 1988
Characteristic Features of the Sataka Form of Drama
Chintaharan Chakravarti · The Indian Historical Quarterly, 1931
Jaina Worship and Formula of Initiation
Paumacariu
The Image Of Sri Gommatesvara
The Jaina Gazette, 1925
Siddhicandra on Rasa
Tapasvi Shambhuchandra Nandi · Sambodhi, 2006
Two Incidents from Gautama’s Life
Helen M. Johnson, Muni Ratnaprabha Vijay · Jain Journal A Quarterly on Jainology, 1987
Introduction to Jaina Mathematics
Radha Charan Gupta · Jinamanjari, 1999
Book Review: Abhinava‑Bhārati Text Restored
Satya Ranjan Banerjee · Jain Journal A Quarterly on Jainology, 2004
A Note on Jaina Sculptural Remains at Sitalpur, Bhangra, Harup and Deoli Villages in Purulia District
Atul Chandra Bhowmick · Jain Journal A Quarterly on Jainology, 1983
Sabarimala
Two Jaina Sculptures from Bhairavasinghapur
Umakanta Subuddhi · Jain Journal A Quarterly on Jainology, 1982
Jaina Architecture in Eastern India
Binod Kumar Tiwary, Hiralal Jain · Jinamanjari, 2002
Mr. Kavi's Edition of the Natya-Sastra
A Caturvimsati Patta of Rsabhanatha from Koraput
Umakanta Subuddhi · Jain Journal A Quarterly on Jainology, 1981
Vedic Principles of the Constitution of a State
Select Contents of Oriental Journals
Salihotra
Girindranath Mukherji · The Indian Historical Quarterly, 1925
Aesthetic Experience of Visual Arts
G. C. Tripathi · Sambodhi, 2015
Select Contents of Oriental Journals
Eminent Apabhramsa Writers of Karnataka and Their Contribution
Prem Suman Jain · Jain Journal A Quarterly on Jainology, 1976
The Identity of Rsabha and Siva
Notes And News
The Jaina Gazette, 1925
Review: The Clever Adulteress and Other Stories: A Treasury of Jain Literature
Narayan M. Kansara · Sambodhi, 1992
Gunratna's Saradipika
Tapasvi Shambhuchandra Nandi · Sambodhi, 1973
Basadis: Modes of Worship
Reconsideration of Sri Śaṅkuka’s Views on Rasa‑Nispatti
Tapasvi Shambhuchandra Nandi · Sambodhi, 1994
Crime and Punishment in Jaina Literature
A Note on Murari’s version of the Rama‑Story
Charulata Verma · Sambodhi, 2018
Ethical Utilitarianism in the Light of Mahavira's Philosophy
Lata Surendra Bothra · Jain Journal A Quarterly on Jainology, 2003
The Rejection of Sita in Ramayana‑Based Plays
Chitra P. Shukla · Sambodhi, 1983