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The Image Of Sri Gommatesvara

Vol. 21 · No. 3, 4, 5March to May - 1925pp. 93–96English

Summary

The colossal statue of Sri Gommatesvara, a 57-foot-tall monolithic figure carved from light-grey granite, stands atop Vindhyagiri Hill at Sravana Belgola (Gommatapura), a significant Jain pilgrimage site in southern India. The nude, serene figure faces north, with a serene and contemplative expression, short curly hair, long ears, broad shoulders, and arms hanging straight. The statue is surrounded by sculpted ant hills and serpents, with a climbing plant wrapping around its legs and arms, terminating in a cluster of berries or flowers. The pedestal resembles an open lotus. Historically attributed to Chamunda-Raya, a minister of the Gangas, the statue was likely consecrated in 980 CE, as per inscriptions. Jaina tradition links it to the legendary figure Sri Bahubali (Gommata), son of Rishabha, who renounced his kingdom to become an ascetic. According to legend, Chamunda-Raya discovered the statue after a divine vision and had it revealed using a diamond chisel. The statue has been meticulously preserved and worshipped for centuries, attracting notable figures like Sir A. Wellesley, who marveled at its craftsmanship. The statue's grandeur, historical significance, and enduring presence amidst changing dynasties and empires make it a symbol of spiritual and artistic achievement. Its serene expression and commanding position continue to inspire reverence among pilgrims and scholars alike.

Summary reviewed by a volunteer editor.

Conclusion

The colossal statue of Sri Gommatesvara at Sravana Belgola stands as a testament to the unparalleled artistry and spiritual significance of Jainism in South India. Carved from a single granite rock, this 57-foot marvel, dating to 980 CE, transcends mere sculpture to embody the divine and the historical. Its commanding presence on Vindhyagiri, coupled with intricate craftsmanship and symbolic details, reflects the profound religious devotion and technical mastery of its creators. The image's association with both mythological figures like Rama and Ravana, and historical figures like Chamunda-Raya, underscores its dual role as a spiritual icon and a historical landmark. As a site of pilgrimage and a symbol of Jain heritage, it continues to captivate and inspire, bridging the past and the present through its enduring grandeur and serene majesty.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “This supremely striking, sacred and unusually majestic image marks the site of one of the most interesting and important spots in the south of India”
  • “According to Jaina tradition, as may be seen from treatises like the Rajavali-kathe and Munivamsabhyudaya the venerable image of Sri Gommata at Belgola was formerly worshipped by Rama and Ravana, as also by the latter's wife Mandodari.”
  • “Gommata was one of the names of Chamunda-Raya and hence the Image is known as Gommatesvara meaning 'the Lord of Gommata.'”

Works cited in this article

  1. Rajavali-kathe
  2. Munivamsabhyudaya
  3. THE JAINA GAZETTE

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