The article examines the outstanding linguistic features of the six surviving Sattakas, Prakrit dramatic compositions by authors such as Rajasekhara, Nayacandra, Rudradasa, Markandeya, Visvesvara,…
Chandramouli S. Naikar’s Origin and Development of the Sattaka traces the lineage of the Saṭṭaka, a secondary form of Indian drama (Uparupaka). Indian dramaturgy categorises plays into ten superior…