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Fresh Evidence of Dandin's Composition of Kalapariccheda

By Sadashiva L. Katre

Vol. 24 · No. 2June - 1948pp. 114–122English
Sanskrit Literary Scholarship

Summary

Investigating the authorship of the Kalāpariccheda, the author presents new evidence that the Sanskrit literary critic Daṇḍin wrote this treatise on the arts. Citing Jagaddhara’s commentary on the Kāvyādarśa and other medieval sources, he notes references to a Kalāpariccheda composed by Daṇḍin that is distinct from Bharata’s Nāṭyaśāstra. Daṇḍin’s classification of the sixty‑four arts places theatre and music at the centre and discusses varieties such as Nāṭyakalā virodha and Gītakalā virodha. The article argues that the systematic treatment of the arts in Daṇḍin’s works presupposes a separate treatise and that manuscript evidence supports its existence. The author calls for further searches and textual analysis to reconstruct this lost work and enhance understanding of Sanskrit aesthetics.

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Conclusion

Through careful reading of commentaries and textual cross‑references, the paper strengthens the case for attributing the Kalāpariccheda to Daṇḍin. It highlights Daṇḍin’s nuanced treatment of the arts and encourages renewed efforts to recover and study this forgotten treatise.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The verse, while grouping together a number of érios, brings to light the composition by Dandin of three major works.”
  • “As it is not insisted to grant an independent status to this Kalapariccheda, which may have been only a subsequent chapter of the Kavyadarsa itself, its existence thus established need not be taken to controvert the current view of scholars regarding Dandin’s three works.”

Works cited in this article

  1. Sarngadbara-paddbati*
  2. Kavyadaria*
  3. Dasakumiaracarita®
  4. Kavyadaria 1. 12
  5. Intro. to Datakumaracarita, Bombay, 1891

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