Articles discussing Abhinavagupta
Authorship of the Dhvanyaloka and Anandavardhanas Date and Works
Sanskrit Aesthetics
V. M. Kulkarni · Sambodhi, 1982
Jain Aesthetic Concepts
V. M. Kulkarni · Jain Journal A Quarterly on Jainology, 1990
Rasa and its Pleasurable Nature
V. M. Kulkarni · Sambodhi, 1984
Review
Soumitra Das, Sushil Kumar De, C. S. Srinivasachari, Kaccayana · The Indian Historical Quarterly, 1927
The Guna-Doctrine in Bharata
Prakash Chandra Lahiri · The Indian Historical Quarterly, 1930
Location of Rasa
V. M. Kulkarni · Sambodhi, 1990
Authorship of the Dhvanyāloka and Ānandavardhana’s Date and Works
The influence of various darśanas on the interpretation and presentation of the Rasa Theory
P. R. Vora · Sambodhi, 2002
General Introduction to uparupakas and examination of Sri Gadita and Durnirika in particular
Tapasvi Shambhuchandra Nandi · Sambodhi, 2002
Bhatta Nayaka’s Blunder
Tapasvi Shambhuchandra Nandi · Sambodhi, 1977
“Bhatta Nayaka's views on rasa-realisation have been presented to us by Abhinavagupta in his Abhinavabharati and also in his Locana on the Dhvanyaloka.”
Hemacandra’s Treatment of the Alankara and Rasa Traditions
V. M. Kulkarni · Sambodhi, 1989
A Reference to Bhatta Candrananda by Abhinavagupta
Umakant Premanand Shah · Sambodhi, 1975
“It would, therefore, be Interesting to note here that Abhinavagupta has also referred to Candrananda, in the Tsvarapratyabhijfia-Vivrti-Viraa-r%i, edited in three volumes by Pandit Madhusudan Kzjul Shastri and published in Kashmir Series of Tex^s and Studies Vol. LX LXU and *LXV (1938,1941, 1943, respy.).”
'Imagination' in Indian Poetics
Influence of Kashmir on the Ritual Literature of Orissa
G. C. Tripathi · Sambodhi, 2017
Natyasastra and Indian Theatre
Radhavallabh Tripathi · Sambodhi, 1992
Contributions to the Bhasa Question
Is Vastu‑Dhvani an Expendable Form of Poetic Excellence?
Rasanirupana of Ajitasenacharya
Parul N. Mankad · Sambodhi, 1990
Poetic Creativity; its Manifold manifestations and evaluation
Tapasvi Shambhuchandra Nandi · Sambodhi, 2005
Siddhicandra on Rasa
Tapasvi Shambhuchandra Nandi · Sambodhi, 2006
“The very fact that Siddhicandra (5) has written a work called “kavya-prakasa-khandana”—i.e. “Refutation of The kavya-prakasa (K.P.) (of Mammata), suggests that he is not a die-hard conformist of the rasa-dhvani school of thought as represented by Manmata, who followed the lead of Anandavardhana and Abhinavagupta.”
Ancient Gita Commentaries—A Rejoinder
B. N. Krishnamurti Sharma · The Indian Historical Quarterly, 1935
Reconsideration of Sri Śaṅkuka’s Views on Rasa‑Nispatti
Tapasvi Shambhuchandra Nandi · Sambodhi, 1994
A Critique of Kavyanusasana by Bishnupada Bhattacharjee
Emergence of an Adhyatma-Shastra or the Birth of the Yogavasishtha Ramayana
Shiva Prasad Bhattacharya · The Indian Historical Quarterly, 1948
A Quotation from the Hrdayadarpana
Aesthetic Distancing In Sanskrit Drama
B. K. Thakkar · Sambodhi, 1990
Indian Theory of Literature
Harivallabh Chunilal Bhayani · Sambodhi, 1990
‘Tatparya’ in Bhoja
Tapasvi Shambhuchandra Nandi · Sambodhi, 2001
Śokaḥ Ślokatvam Āgataḥ (Dhv. I. Sd)
Tapasvi Shambhuchandra Nandi · Sambodhi, 1982
Prakrit Verses in Dhvanyāloka with Locana
V. M. Kulkarni · Sambodhi, 1979
Gunapataka
Bālavalabhi‑bhujanga
Dineshchandra Sircar · The Indian Historical Quarterly, 1951
Book Review: Abhinava‑Bhārati Text Restored
Satya Ranjan Banerjee · Jain Journal A Quarterly on Jainology, 2004
Bhoja's Sringaraprakasa (Ch. XXXI–XXXVI) – Prakrit Text Restored
V. M. Kulkarni · Sambodhi, 1975
Studies in Comparative Aesthetics
Review - Srimadbhagavadgita & Bhagavad-Gitarthaprakashika
Chintaharan Chakravarti · The Indian Historical Quarterly, 1942
The Natyasastra and the Abhinavabharati
Mano Mohan Ghosh · The Indian Historical Quarterly, 1934
“If the passmge quoted ulove will prove to be from ihe hands of Abhinavagupta then any faith in his omniscience will have to he given up”
Paramārthasāra and Śrī Bhāgavata
Prahasanas in Sanskrit Literature – A Study of Its History
S. Ramratnam · Sambodhi, 1978
The Dynastic Chronicles of Kashmir – The Precursors of Kalhana
Dramaturgy in the Mahapurana of Puspadanta
Matsyendranātha and his Yoginī Cult
Buddhivinodakavya (A specimen of Paryayakavya)
D. R. Mankad, Jayashankaren · The Indian Historical Quarterly, 1936
Reviews
Suniti Kumar Chatterji, Mano Mohan Ghosh, Mīmāṃsā · The Indian Historical Quarterly, 1936
Select Contents of Oriental Journals
Reflections on Manuscriptology: Forays into Indian Paradigms of Knowledge Management
Dipti Tripathi · Sambodhi, 2018
Gaddalikapravahah
Satyavrat Verma · Sambodhi, 2017
Rudrata's Treatment of Rasa
Vijay Pandya · Sambodhi, 2006
Hindu Theatre: An interpretation of Bharata’s second Adhyaya
A Further note on Bharatavakya
Chintaharan Chakravarti · The Indian Historical Quarterly, 1931
Bharatavakya and the Bhagavadajjukam
Problems of the Natyasastra
Some new Facts about Matsyendranatha
Chintaharan Chakravarti · The Indian Historical Quarterly, 1930
Some Aspects of the Rasa‑Theory
Tapasvi Shambhuchandra Nandi · Sambodhi, 2004
Svapna-nataka and Svapna-vasavadatta
V. Venkatarama Sharma · The Indian Historical Quarterly, 1929
The Contribution of Jain Authors to Sanskrit Chandaḥ Śāstra
G. S. Shah · Sambodhi, 1982
A Fresh Reference to Bhartṛmitras View on Lakshana
Biswanath Bhattacharya · Sambodhi, 1981
The Laghu-Sastha variety of an Anustubh metre
Subandhu’s Vasavadattānṛtadhārā