Articles discussing Kuntaka
Kuntaka's Conception of Guṇas
Haradatta Sharma · The Indian Historical Quarterly, 1932
“Kuntaka recognises three mdrgas. Unlike the दरार पीर, gaudi, pancali, ete., the very names एव which indicate a gecgraphical origin, Kuntaks names his styles as sukuméra, vicidre and madhyama’®”
‘Tatparya’ in Bhoja
Tapasvi Shambhuchandra Nandi · Sambodhi, 2001
Kumarasambhava As Critically Examined by Sanskrit Alamkarikas
Arpita G. Patel · Sambodhi, 1997
Poetic Creativity; its Manifold manifestations and evaluation
Tapasvi Shambhuchandra Nandi · Sambodhi, 2005
Some Sanskrit Texts on Painting
Is Vastu‑Dhvani an Expendable Form of Poetic Excellence?
“The spontaneous yet dexterous expression in vastudhvani with its various nuances is therefore an iodispensable type of poetic excellence which has its owa simple charm fulfilling the criterion of Kuntaka—”
Indian Theory of Literature
Harivallabh Chunilal Bhayani · Sambodhi, 1990
Review: Bhoja and Haravijaya of Sarvasena by Dr. V. M. Kulkarni
Narayan M. Kansara · Sambodhi, 1992
“The importance of Sarvasena lies in the fact that the great Sanskrit rhetoricians like Anandavardhana of the Dhvani fame and Kuntaka of the Vakrokti fame have placed him on par with Kaliddsa, and quote from the Harivijaya, as from the Raghuvamsa, the Kumdrasambhava, etc., 10 support his viewpoint that preoccupation with emotion (bhava) and the generation (nispatti) of aesthetic experience (rasa) is the essential method of literature.”
Hemacandra’s Treatment of the Alankara and Rasa Traditions
V. M. Kulkarni · Sambodhi, 1989
Sanskrit Aesthetics
V. M. Kulkarni · Sambodhi, 1982
Some Passages from the Kavindra-vacana-samuccaya
Authorship of the Dhvanyāloka and Ānandavardhana’s Date and Works
Theory of Riti and Guna in the Agnipurana
Prakash Chandra Lahiri · The Indian Historical Quarterly, 1933
Śokaḥ Ślokatvam Āgataḥ (Dhv. I. Sd)
Tapasvi Shambhuchandra Nandi · Sambodhi, 1982
The Language of Caṇḍa's Pṛthvīrāja‑Rāsau – Lāṭīya Apabhraṁśa
Harivallabh Chunilal Bhayani · Sambodhi, 1978
A Critique of Kavyanusasana by Bishnupada Bhattacharjee