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Kavi Putra of Kalidasa - A Critical Review (Part 1)

By Sudarshan Kumar Sharma

Vol. 12 · No. 1-4April 1983 - January 1984English

Summary

Sudarshan Kumar Sharma begins his extensive critical review by examining a reference in Kālidāsa’s play Malavikāgnimitram, where the poet pays homage to his predecessors Bhāsa, Kaviputra and Saumilla. The article investigates who Kaviputra was and what works may be attributed to him. Sharma surveys Sanskrit literary history and utilises commentaries by scholars such as Kṣemendra and Somadeva to piece together biographical details. He reviews evidence suggesting that Kaviputra was an influential dramatist in Pāṭaliputra during the reign of the Nanda dynasty and may have served alongside ministers like Kauṭilya. The author also delves into Jain and Buddhist sources that mention Kaviputra, comparing differing accounts of his lineage and oeuvre. By analysing variations in the compound listing Kālidāsa’s forerunners, Sharma discusses whether Saumilla and Kaviputra refer to the same person and examines regional traditions. He further contextualises the discussion with a survey of political history – including the roles of rulers such as Nanda, Mahendra‑varman and Candragupta – and considers how historical events might have influenced theatrical production. Throughout, Sharma stresses the scarcity of direct evidence and the need to rely on cross‑disciplinary research combining literary criticism, history and epigraphy. The first part of the article thus lays the groundwork for a more detailed examination of Kaviputra’s contributions and reputation.

AI-generated summary, automatically checked against the article text.

Conclusion

The first part concludes that while definitive information about Kaviputra remains elusive, a careful synthesis of textual and historical clues suggests he was a notable early dramatist whose legacy Kālidāsa respectfully acknowledges. Sharma sets the stage for further analysis by outlining the main questions and sources that will be pursued in the continuation of the study.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “In the Prologue to his play Malaviksgnimitram Kfilidasa has referred Lo his illustrious forerunners in the line-”
  • “Kaviputra- if construed to be a playwright must denote a play- wright of fabulous renown 01 else Kalidasa could hardly date to have extolled him in such a laudable tone as to feel a sense of inferiority complex in comparision to his talent,”

Works cited in this article

  1. Prathitayafcsam Bhasa-Kaviputra-SaumUlakadjnarn prabandhanati
  2. Sudraka-Kaths
  3. PratimSiiataka
  4. Katha-Sant-Sagara

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