Articles discussing Bhasa
Contributions to the Bhasa Question
Kavi Putra of Kalidasa - A Critical Review (Part 1)
Sudarshan Kumar Sharma · Sambodhi, 1983
Bhasa
U. Venkatakrishna Rao · The Indian Historical Quarterly, 1958
“We would like to answer this question in the affirmative. Dr. Pusalkar has urged that Bhasa’s knowledge of South India as exhibited in Abbiscka 15 defective and 50 he should have been a Northerner 2100૯.”
The Bhasa Problem
K. Rama Pisharoti · The Indian Historical Quarterly, 1925
“The publication of & drama under the title Svapnavasava- datta, and the consequent resuscitation of the ancient dramatist, Bhasa, the illustrious predecessor of Kalidasa, burst vpon Sanskritists like a flash of lightning.”
Natyasastra, Sanskrit Drama and Its Theatre
Radhavallabh Tripathi · Sambodhi, 1996
“Even Svapnavdsavadattam of Bhasa, unanimously upheld as one of the greatest classical Sanskrit plays and supposed to be a Ndtaka in our tradition and cited as a Ndtaka by a number of rhetoricians., does not conform to the definitions of a Ndtaka in toto.”
The Dramas ascribed to Bhasa
Bhasa's Treatment of the Krsna Legend
G. K. Bhat · Sambodhi, 1975
The Target of Criticism in Bhamaha’s Kavyalankara IV 39–47
Narayan M. Kansara · Sambodhi, 1973
The target of criticism in Bahamaha's Kavyalankara
Narayan M. Kansara · Sambodhi, 1973
The Bhasa Problem - A Reply
G. Harihara Sastri · The Indian Historical Quarterly, 1925
“Mr. P. thinks that the want of requisite materials, which are " scrupulously guarded by the professional actors of Kerala known as the Cakyars, has prevented Sanskritists from subjecting the conclusions of Mm. T. Gapapati Sistri regarding Bhasa’s plays to a critical examination;”
The Story of Carudatta
Hampa Nagarajaiah · Jain Journal A Quarterly on Jainology, 1991
“According to Sanskrit dramas of Bhasa and Stdraka, CD, apart from being a philanthropist, also appears to have favoured a political movement against the then prevailing king’s rule.”
Prakasavarsa and his Rasarnavalankara
V. Venkatarama Sharma · The Indian Historical Quarterly, 1929
Svapna-nataka and Svapna-vasavadatta
V. Venkatarama Sharma · The Indian Historical Quarterly, 1929
Bhasa as a Prakrit Poet
K. Krishnamoorthy · The Indian Historical Quarterly, 1946
“महाकविना भासेना प्युक्रम्,” And the verse cannot be traced in any of the dramas published as Bhasa's.”
Miscellany – A Note on the Bharatavakya
Chintaharan Chakravarti · The Indian Historical Quarterly, 1929
Select Contents of Oriental Journals
Select Contents of Oriental Journals
Surunga and the Kautiliya Arthasastra
Select Contents of Oriental Journals
The Indian Historical Quarterly, 1952
“bued with the Zpic thoughts of Vilmiki and Vyisa, Bhasa has shown in his dramas ત strict adherence to the theories of Artha- §astra and rules of Dharmasistra.”
Magadhi Prakrit and Bengali
Muhammad Shahidullah · The Indian Historical Quarterly, 1925
The So‑Called Sanskrit Plays
K. R. Chandra · Sambodhi, 1972
Sanskrit Aesthetics
V. M. Kulkarni · Sambodhi, 1982
The Rejection of Sita in Ramayana‑Based Plays
Chitra P. Shukla · Sambodhi, 1983
Nandi in Theory
A Sloka of Bhasa
Select Contents of Oriental Journals
Select Conients of Oriental Journals
The Indian Historical Quarterly, 1928
“It has been contend- ed here that the suggestion of some scholars that the so-caifed Bhasa-plays might be the works of Saktibhadra, the author of the Ascaryactidamani, can be disproved from the internal evidences of the Cdimani and the Bhisa-plays themselves,”
Rupakas - how many are they ?
Ashok Nath Bhattacharya · The Indian Historical Quarterly, 1926
Select Contents of Orlental Journals
Patanjali
Prabhat Chandra Chakravarti · The Indian Historical Quarterly, 1926
Reviews
Ramesh Chandra Majumdar, B. M. Barua, Kaccayana, D. M. Bhattacharya · The Indian Historical Quarterly, 1925
Hindu Theories of the Origin of Kingship and Mr, K. P. Jayaswal
G. Harihara Sastri · The Indian Historical Quarterly, 1925
“From all these coasiderations, it will be evident that the materials, which Mr. 1. has arrayed before us to establish that the published SV. 15 a playwright’s adaptation and that there are more than one ૭૪, and Bhisa, have not achieved their purpose and the attribution of the ૭ ઈ 10 the ancient dramatist Bhasa remains on as solid a founda-tion asever,.”
The so-called sanskrit plays
K. R. Chandra · Sambodhi, 1972