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History of Sanskrit Literature of Kashmir

By Sunil Chandra Ray

Vol. 31 · No. 3September - 1955pp. 232–256English

Summary

This article surveys the development of Sanskrit literature in Kashmir from its early period to the medieval era. The author notes that Kashmir’s literary tradition is deeply rooted in Sanskrit and highlights early scholars like Patanjali and Dridhbala, whose works on grammar and medicine show Kashmir’s contributions to pan-Indian learning. The study then turns to the flourishing of Sanskrit culture under the Karkota and Utpala dynasties, when poets such as Ratnākara produced epic works and the tradition of historical writing began. A central focus is the rise of Kashmir Shaivism. The article discusses philosophers like Vasugupta, who revealed the Siva-sutras, and Abhinavagupta, whose Tantraloka and commentaries on the Natyasastra integrated aesthetics and theology. The author also highlights Anandavardhana’s Dhvanyaloka, which introduced the concept of dhvani (suggestion) in literary criticism. These thinkers developed sophisticated theories of poetry and aesthetics that influenced Indian literature. Historical chronicles such as Kalhana’s Rajatarangini are examined for their blend of narrative and moral reflection. The article concludes that Kashmir’s Sanskrit heritage reflects a unique blend of intellectual rigor and artistic sensitivity. By preserving and expanding upon pan-Indian traditions while developing original ideas, Kashmiri scholars made enduring contributions to Indian literature and thought.

Summary reviewed by a volunteer editor.

Conclusion

The survey shows that Kashmir served as a crucible for major developments in Sanskrit literature and philosophy. From early scholars like Patanjali to later thinkers such as Abhinavagupta and Anandavardhana, Kashmiri authors enriched grammar, poetry, aesthetics and historiography. Their works demonstrate how regional centres became hubs of innovation, synthesising existing traditions into new intellectual currents. Understanding this heritage is essential for appreciating the depth and diversity of India’s Sanskrit culture.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “OF the earliese Sanskrit compositions of Kaémira, not a single which may be dated with cetcainty to a period prior co the 6th century A.C. has survived.”
  • “The reasons in favour of the identification of Macrgupeta with Kalidasa, however, are not convincing.”
  • “Kalhana’s splendour of imagination, depth and range of thought and above all the power of centralising many talents to a single purpose, had given his Rajatarangini a literary immottality.”

Works cited in this article

  1. Ballabhadeva’s Subhasitavali
  2. Kalbana’s Rajatarangini
  3. Subbasizavali (ed. Peterson), 32, 66, 69, 1624, 1916, 2275
  4. RT., UE, 12g sqq
  5. Bhau Daji, JBBRAS, (1861), p. 208; Max Miller, India, pp. 312-347

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