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Kalidasa in China

By Louis Finot

Vol. 9 · No. 4December - 1933pp. 829–834English

Summary

The article recounts the discovery of a palm-leaf manuscript in a Buddhist monastery in the province of Che-kiang, China that contains references to Kalidasa and his works. The manuscript, found by Dr. A.O. Franke and later examined by Kielhorn and others, includes fragments of Sanskrit texts such as Paramārtha's poem Paramārthasena and various tantric rituals. The leaf designated "D" contains verses from Kalidasa’s Mahakavyas: Kumārasambhava, Meghadūta and Raghuvaṃśa. The article traces the history of the manuscript’s discovery, the scholars involved and the significance of finding Kalidasa’s verses in China. It discusses the Chinese tradition of preserving Indian Buddhist texts and notes that the manuscript likely dates from the thirteenth century but reflects much older literary transmissions. The author points out that China received many Buddhist texts in Sanskrit but only a few remain extant; the scarcity of such documents gives importance to the leaf containing Kalidasa’s verses. He discusses the paleographical features of the script and suggests that it belongs to a Bengal variant of the Nāgarī script. The manuscript also contains works on painting and tantric rituals, which indicates the eclectic nature of the library from which it came. The author emphasises that the discovery shows the far-reaching influence of Sanskrit literature beyond India and calls for further study and preservation of such manuscripts, as they can shed light on cultural exchanges between India and China.

AI-generated summary, automatically checked against the article text.

Conclusion

The discovery of a single palm-leaf containing verses from Kalidasa’s great poems among Buddhist manuscripts in China underscores how Indian literature travelled across Asia. Although the fragment is small and the manuscript incomplete, it provides tangible evidence that Kalidasa’s poetry was known and valued in Chinese Buddhist circles. The article highlights the importance of preserving and studying such material to understand the historical spread of Sanskrit literature and encourages further collaboration between scholars to trace other Indian works preserved in foreign archives.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “For many centuries, China received from-Jndia a large stock of Buddhist texts in Sanskrit.”
  • “The writing of D differs little from the crdinary Nagari, and may be deseribed as that particular variety ot the Nagari alphabet, which was current in parts of Bengal about the XIIIth century A.D.”

Works cited in this article

  1. JRAS., 1804, p. 836
  2. Tiranatha, Geschichfe des Buddhismus, p. 76

Discussed in this article

People

Places

  • Che-kiang
  • T'ien t'ai shan
  • Ning.po

Texts & works

  • Paramarthaseva
  • Bhojaprabandha

Dynasties, sects & groups

  • Tantrik

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Article order

In this issue

Vol. 9 · No. 4
829–834Kalidasa in ChinaLouis FinotCurrent article835–853Vamana's Theory of Riti and GunaPrakash Chandra Lahiri854–865Krsna and JarasandhaSadashiva L. Katre866–871The Rise of Najib-ud-daulaJadunath Sarkar872–879The Architecture of the Taj and its ArchitectShyam Chand Mukherjee880–885The Puranic Traditions - (about earlier homes and migrations of the Indian Aryas)Narayana Tripathi886–897The Origin of the MalpahariasSasanka Sarkar898–911Some Sanskrit Texts on PaintingV. Raghavan912–922Two Types of Subjectivism in Monistic VedantaMakhanlal Mukherji923–929The Date of KarkacaryaG. B. Makoday930–933Literary Reference to SamudraguptaRamesh Chandra Majumdar934–942An almost Contemporary Account of Mahmud's Invasions of IndiaSri Ram Sharma943–947Daspalla Copper-Plate AgreementBinayak Misra948–950King Narasimha of Gaunda and the study of the Mahabhasya in BengalJogendra Chandra Ghosh951–956Early History of the Gahadavala DynastyDhirendra Chandra Ganguly957–966Epigraphic NotesDineshchandra Sircar967–968The Art of Pantomime in KeralaC. S. Srinivasachari969–972The Dasas of the Karnatak CountryS. Hanumantha Rao973–977Hindu Theatre (Part 1)D. R. Mankad978–979AryadevaVidhushekhara Bhattacharya979–980Sankaracarya and DharmakirtiVidhushekhara Bhattacharya981Sankara's Reference to a Buddhist PassageVidhushekhara Bhattacharya981–983A so-called Convention of the Hindu DramaMano Mohan Ghosh984–986Varahamihira and BuzurjmehrAdinath Neminath Upadhye987–988Syntactic Position of the Preposition in ArdhamagadhiAdinath Neminath Upadhye989–991Vainyagupta DvadasadityaRamesh Chandra Majumdar991–994Hindu Theatre (Part 2)V. Raghavan995–1003The Seventh All-India Oriental ConferenceP. C. Bagchi1004–1030ReviewsBatakrishna Ghosh, Edward J. Thomas1031–1039Select Contents of Oriental Journals1041–1042Addendum: Some Sanskrit Texts on PaintingV. Raghavan

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