The article examines two relatively neglected works of the Kashmiri poet Bilhaṇa—the four act play Karnasundarī nāṭikā and the hymn Bilhaṇa staka—establishing their authorship, historical context,…
Vacaka Umasvati, a foundational Nirgrantha/Jaina scholar, is credited with composing several major Sanskrit works, including the Sabhasya-Tattvarthadhigama-sutra, Prasamarati-prakarana, and…
M.A. Dhaky describes a rare early medieval seated Jina image from Medata, Rajasthan, gifted by Jitendra Shah to the Lalbhai Dalpatbhai Museum, Ahmedabad. The medium-sized stone sculpture, slightly…
2020-2022Vol. 43pp. 115–117
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On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)
M.A. Dhaky analyzes the Pundarīka Adhyāyana (Sūtras 638–693), first of seven appendices in Sūtrakṛtāṅga Book II, identifying three strata. The core allegory (sūtras 638–643) depicts a lotus pond…
The PDF "Some interesting Cultural Data in the Bhuvanasundari-Kath" by M.A. Dhaky discusses the 11th-century Jaina narrative work "Siri Bhuvanasundar-kath" composed in Maharashtri Prakrit by…
M. A. Dhaky's article analyzes the Dasavaikālikasūtra, an Āriga-bāhya work of the Śvetāmbara Ardhamāgadhī canon, traditionally ascribed to Ārya Sayyambhava (c. 370-340 BCE), third patriarch after…
2020-2022Vol. 43pp. 85–100
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The Minarets of the Hilāl Khān Qāzī Mosque, Dholaka
M.A. Dhaky's article analyzes the minarets of the Hilal Kham Qazi Mosque (A.D. 1333) at Dholaka (anc. Dhavalakakka), Gujarat, as the earliest documented examples in the region.
Early Islam in…
2020-2022Vol. 43pp. 71–84
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Musical Instruments in Nirgrantha Canonical Literature
M.A. Dhaky examines musical instruments referenced in early Jain (Nirgrantha) canonical texts, paralleling early Christian asceticism against music as noted by St. Augustine. These texts, evolving…
This study analyses the trident (triśūla), regarded as the supreme weapon of Śiva, Durgā and other divinities. Trident forms vary regionally and temporally; the article divides them into northern and…
The eighth article views the Indian temple as a microcosm embodying the cosmos. Drawing on the eleventh‑century Vāstusāstra of Viśvakarman and the Aparājitapṛcchā, the author translates a chapter…
Investigating the Jina Mahāvīra temple at Satyapura (modern Sanchore), this historical essay seeks to date the shrine and identify its founders. Different texts place Satyapura in western Marumandala…
2020-2022Vol. 43pp. 35–42
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The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena Divākara
This paper introduces the Bauddha‑Santāna Dvātriṃśikā, an early Jain treatise that explains Buddhist concepts for a Jain audience. Composed by Siddhasena Divākara in the fifth century, the text…
The fifth article collates lesser‑known verses attributed to the Jain philosopher Siddhasena Divākara. Medieval sources such as the Prabhāvakacarita recount that Siddhasena recited poetic verses…
This piece surveys the solitary Digambara Jain temple at Nāgda, once a capital of the Guhila dynasty and later a Jain centre. The temple consists of an early eleventh‑century prasāda with later…
Focusing on two celebrated ceiling designs in fifteenth‑century Jain temples, this article examines the iconography and cultural resonance of the Nāgabandha and Pañcāṅgavīra patterns. Pilgrim songs…
2020-2022Vol. 43pp. 9–15
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The Architectural Data in the Nirvanākalikā of Pādalipta‑Sūri
Padalipta‑Sūri’s eleventh‑century Nīrvaṇakalikā is a Jain pratisṭhā‑tantra concerned with image consecration and temple construction. The article extracts architectural details from this ritual…
2020-2022Vol. 43pp. 4–8
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Notices on Buddhist Architecture in Western Indian Vāstusāstras
The first article reviews two rare references to Buddhist architecture in Western Indian Vāstusāstra texts at a time when Jainism dominated Maru‑Gurjara art. A twelfth‑century Vāstuvidyā describes a…
Focusing on the medieval Kashmiri poet Bilhana, this paper brings to light two lesser‑known works that expand our understanding of his oeuvre. Bilhana is best known for the courtly epic…
The Works of Vacaka Umasvati M. A. Dhaky The medieval Svetimbara writes credit Umasviti to have composed some 500 works in Sanskrit!, a figure doubtless seeming highly inflated from the standpoint of…
This short contribution documents a recently discovered Jina sculpture from
Meḍatā, a historical town in Rajasthan. The author describes the figure as being
carved in high‑relief from buff sandstone…