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Two Less Known Works of Bilhana

By M. A. Dhaky

Vol. 392015pp. 24–29English
Medieval Sanskrit Literature

Summary

Focusing on the medieval Kashmiri poet Bilhana, this paper brings to light two lesser‑known works that expand our understanding of his oeuvre. Bilhana is best known for the courtly epic ‘Vikramankadevacarita’, composed for the Western Chalukya emperor Vikramaditya VI, yet he also produced writings outside the royal panegyric tradition. The first text examined is the dramatic poem ‘Karnasundarindika’, a play intended for performance in a Jaina temple. Although its plot centres on non‑Jaina characters, the prologue invokes the Jina because the patron was a Jaina minister. The paper analyses the Sanskrit verses spoken by kings and other figures, noting their elegance and rhetorical power, and explains how the author’s name is revealed in the closing benediction. It situates the drama within the historical context of fourteenth‑century Karnataka and discusses its relationship to Bilhana’s later work. The second piece is the ‘Bilhanastaka’, a hymn to the Jina Parshvanatha attributed to Bilhana by the scholar Muni Caturavijaya. Manuscripts of this eight‑verse hymn have been preserved in Jain libraries in Patan but were little known. Through stylistic comparison, the article argues that the hymn is indeed by Bilhana: its language and prosody reflect the eleventh‑century milieu, its imagery and similes mirror those of the ‘Vikramankadevacarita’ and it uses simple ornamentation rather than the elaborate devices favoured by later Jain poets. The paper suggests that Bilhana may have composed the hymn during his stay in Anahilapataka under the patronage of Minister Santuka. By analysing these two compositions, the author demonstrates Bilhana’s versatility and his ability to address both secular and religious audiences. The study also highlights the cross‑cultural patronage networks of the period, where Hindu poets wrote for Jain patrons and vice versa. Understanding these works enriches appreciation of Bilhana beyond his famous epic and adds to knowledge of medieval Sanskrit and Jain literary traditions.

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Conclusion

The paper concludes that the play ‘Karnasundarindika’ and the hymn ‘Bilhanastaka’ deserve recognition alongside Bilhana’s celebrated epic. Both pieces display his poetic skill and reveal his engagement with Jain patrons and themes. Through textual analysis and historical contextualisation, the study affirms Bilhana’s authorship of the hymn and underscores the diversity of medieval literary production in India.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Bilhana of Ka$mira was among the highly versatile and merited Sanskrit poets in India of the medieval times.”
  • “The Vikramarikadevacarita (c. A.D. 1085), which he composed while he was gracing the court of the Calukya emperor Vikramaditya VI of Karnaade$a, is his most famous work.”
  • “The poet’s other two works, namely the Karnasundarindika and the Bilhandsaka are relatively less known in Karnataka, which is why they have been selected for a brief appraisal and discussion in the present article’.”

Works cited in this article

  1. Karnasundarinaika, Ed. Pt. Durgaprasad and Kasinath Panduranga Parava, revised ed., Kavyamala 7, Bombay 1895
  2. Jainastotrasandoha, pt. 2, Ahmedabad 1936, pp. 16-24
  3. Minaladevinurh Asali Abhidhana kayurh ?, Vidyapitha, Ahmedabad, Vol. 135, May-June, 1985
  4. Nirgrantha Aitihdsika Lekha-Samuccaya, pt. 1, Ahmedabad 2002
  5. Gujaratano Madhyakalina Rajapiita Itihas (Gujarat), Ahmedabad 1953, pp. 241-247

Discussed in this article

People

Places

  • Anahillapaaka
  • Candrapura
  • Anahillapattana
  • Candore

Texts & works

  • Bilhandsaka
  • Karnasundarindika
  • Dvayasraya-kavya
  • Vikramarikadevacarita

Dynasties, sects & groups

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In this issue

Vol. 39
1–13Vijñānamātra and Vijñaptimātra: A ReappraisalYan Cao1–16Aesthetic Experience of Visual ArtsG. C. Tripathi14–28The Text‑Study in Folk‑Epics of Western IndiaHasu Yajnik17–19Rajyavardhana : A ProfileSatyavrat Verma20–23Traces of Modern Military Sciences in Prakrit EpicsPulak Goyal24–29Two Less Known Works of BilhanaM. A. DhakyCurrent article29–40Traces of Nirgrantha’s Thought in Buddhist TextsJitendra B. Shah30–33The Vedanta Philosophy Anticipating Science of the Modern WorldVijay Pandya34–42The Edificial Pattern of the Marwari’s Dwelling and their Frescoes with special reference to Modi Haveli, JhunjhunuTanuja Singh41–53Pacchakkhāṇa Leading to SallekhanāHampa Nagarajaiah43–49प्राकृत की कुछ दुर्लभ पाण्डुलिपियाँPhoolchand Jain Premi50–69शार्दूल पाण्डुलिपियों में श्लोकों की वृद्धि‑ह्रास का विश्लेषणVasantkumar M. Bhatt54–61Excerpts Quoted in the Nāṭyadarpaṇa from the Devīcandragupta: A Critique on Their SignificanceSatyavrat Verma62–70A Grammatical Analysis of the Dvyāśraya‑Mahākāvya’s Śaurasenī ŚlokasMana Apoorva Shah70–75वेद का अवांचीन अध्ययनVijay Pandya71–89प्राकृत काव्य की चारिता के भाविक आधारBalram Shukla76–83जैनधर्म में आध्यात्मिक विकास एवं बौद्ध परम्पराVijaykumar Jain84–98जैन साहित्य में लेश्या‑विमर्शRaka Jain90–97हेमचन्द्राचार्य के प्राकृत व्याकरण में अभिज्ञानशाकुन्तलम्Vasantkumar M. Bhatt98–112अथ स्वतः परतः प्रमाणं परीक्ष्यतेAmbikadatt Sharma99–102पाँच समितियों का व्यापक अर्थ : श्रावकों की अपेक्षा सेVeersagar Jain103–108अपरिग्रह एवं प्रजातांत्रिक अर्थव्यवस्थाN. K. Khicha109–121देवेंद्रसूरिजीकृत सुबधकथा प्राकृत पाण्डुलिपि में आचार शास्त्रीय विवेचनHemvati Nandan Sharma113–119रत्नपालचरितम् : एक विवेचनHemvati Nandan Sharma120–124महोपाध्याय क्षमाकल्याण जी रचित साहित्यManiguru Charanraj Arya Mehulprabhasagar122–131आदिकाव्य का जीवन‑दर्शनBalram Shukla125–128वेदों में वर्णित राष्ट्रीय भावनाMahendrakumar A. Dave129–131અનુયોગદ્વાર સૂત્રના રચનાકાળ વિશે કાંઈક (Anuyogasar Sutra na Rachnakal vishe Kaik)Sadhvishri Mrigavatishriji M.132–137ન્યાય દર્શન – એક પરિચય (Nyaya Darshan – Ek Parichay)Laxman V. Joshi132–141“उत्तराध्ययन‑सूत्र” की पाण्डुलिपियों में चित्रित रूपाकृतियाँRajendra Prasad138–151મધ્યકાલીન સાહિત્યનો અમૂલ્ય ખજાનો (Madhyakalin Sahityano Amulya Khajano)Abhay Doshi142–148जैन साहित्य का राजस्थानी चित्रकला पर प्रभावRunjhun Rajawat, Tanuja Singh149–155बसोहली शैली में गीतगोविन्द अंकनRitika Garg152–160આચાર્ય જયવંતસૂરિકૃત શૃંગારમંજરી : એક અનન્ય સંપાદન (Acharya Javantsuri Kruta Shungaramanjari : Ek Anany Sampadan)Abhay Doshi161–174હસ્તપ્રતો : ભારતીય ઈતિહાસ અને સંસ્કૃતિનો અમૂલ્ય સ્રોત (Hastraprat: Bharatiya Itihaas ane Sanskriti no Amulya Srot)Bharti Shelat

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