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A note on the Jina Image from Medata, Rajasthan

By M. A. Dhaky

Vol. 432020-2022pp. 115–117English

Summary

M.A. Dhaky describes a rare early medieval seated Jina image from Medata, Rajasthan, gifted by Jitendra Shah to the Lalbhai Dalpatbhai Museum, Ahmedabad. The medium-sized stone sculpture, slightly abraded yet intact, depicts a Jina in padmasana on a lion-throne with dharmacakra flanked by deer between adorsed lions; throne ends bear Yaksa Sarvanubhuti and Yakshi Ambika. Above the throne centrally sits Jina Rsabha with usnisa and hair-tuft; fly-whisk-bearing camaradharas in dvibhanga attend the Jina; behind the bhamandala rises chatra-traya on a staff, with maladharas above camaras, profile Hiranyendras (elephants with turned heads enhancing relief, bearing mahout, Indra, and consort/apsaras), deva-dundubhi, and caitya-vrksa leaves. The balanced composition features medium-high relief carving. Dated stylistically to early 10th century (first quarter) based on outstretched padmasana elbows, elegant dvibhanga, serene faces, minimal ornaments on camaradharas, and Hiranyendra association (post-early 10th century rarity in western India); comparable to Madhya Pradesh examples. Survival attributed to evasion of iconoclastic invasions (Arabs c. 725-750 CE at Lata; Mahmud of Ghazni 1025 CE; Shihabuddin Ghori 1195-96 CE; Alauddin Khilji c. 1305 CE), which destroyed many western Indian temples and images.

Summary reviewed by a volunteer editor.

Conclusion

This rare early-tenth-century Medata Jina image exemplifies pre-iconoclastic western Indian medieval sculpture, its intact pratiharya ensemble and stylistic elegance underscoring survival amid Arab, Ghaznavid, Ghurid, and Khilji devastations.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The image is one of the rare survivals in western India of the relatively early Jina images within the medieval period, a little abraded but largely intact, apparently since it had escaped the hand of an iconoclast!”
  • “The date of the image can be inferred as of an earlier century of the medieval period and hence tenth century, preferably its first years in the first quarter.”
  • “On account of those calamitous iconoclastic attacks, a very considerable number of early and medieval sculptures and buildings in western India were lost.”

Works cited in this article

  1. Cf. author's “Mahavira of Satyapura in Historical Perspective,” Sambodhi Vol. XXVII, Ahmedabad 2005, p. 48, vs. 3.

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In this issue

Vol. 43
1–3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4–8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9–15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16–19Nāgda's Ancient Jaina TempleM. A. Dhaky20–25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26–34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35–42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43–53Prāsāda as CosmosM. A. Dhaky54–65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66–70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71–84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85–100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101–105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106–114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115–117A note on the Jina Image from Medata, RajasthanM. A. DhakyCurrent article118–138The Works of Vacaka UmasvatiM. A. Dhaky139–145Two Less Known Works of BilhanaM. A. Dhaky146–163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164–173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174–192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193–204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205–214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215–218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219–220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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