Skip to content
Browse articles

The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena Divākara

By M. A. Dhaky

Vol. 432020-2022pp. 26–34English

Summary

This paper introduces the Bauddha‑Santāna Dvātriṃśikā, an early Jain treatise that explains Buddhist concepts for a Jain audience. Composed by Siddhasena Divākara in the fifth century, the text summarises Mahāyāna doctrines such as dependent origination (pratītyasamutpāda) and the emptiness of phenomena without engaging in polemics. Its explanatory, rather than argumentative, tone makes it a unique bridge between Jainism and Buddhism. The article shows that Siddhasena avoids references to later Buddhist logic; his discussion predates the epistemological systems of Diṅnāga and Dharmakīrti. By contextualising the Dvātriṃśikā among other Jain and Buddhist texts, the author argues that it provides evidence of early Jain interest in Mahāyāna thought. The piece also surveys the scarce commentarial tradition on the work and highlights textual difficulties in interpreting verses. Overall, the study demonstrates how interreligious engagement enriched Jain philosophy and offers a rare glimpse of Buddhist teachings through a Jain lens.

Summary reviewed by a volunteer editor.

Conclusion

The Dvātriṃśikā shows that early Jain authors were familiar with and sympathetic to Buddhist metaphysics. Its clear and concise exposition of Mahāyāna ideas without rebuttal suggests a period of intellectual openness and cross‑fertilisation between the traditions.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The work to be briefly introduced in this paper, the Bauddha- Santdnadwitrinikd of Siddhasena Divakara (active ¢, A, D. 400-444), possesses two distinetions ¢ First, it is the earliest known Nirgrantha work which dwells on the philosophical doctrines of the Mahdyanic (and possibly other contemporancous and allied or otherwise) post-canonical Buddhist schools.”
  • “The discussions, whether of confutations or refutational nature or, somewhat rarely just neutral, take into account the then prevailing Buddhist conceptual as well as epistemological positions on the bases of the then available works of the famous Buddhist masters, particularly Nagarjuna, Asanga, Vasubandhu, Dinnaga and Dharmakirti.”
  • “The useful and relatively earlier Nirgrantha works of the Northern tradition which embody these interesting as well as very valuable data are the auto-commentary of Mallavadi called the Dvadasara-naya-cakra (c. A. D. 550-600)! and the elucidatory further commentary on it by Simhasiura Ksamdsramana (c. A. D. 675)%”

Works cited in this article

  1. Dvādaśara-naya-cakra
  2. Sa-bhāṣya Tattvārthādhigama-śāstra of Umāsvāti

Discussed in this article

AI guide

Discuss this record

Ask about the article, its topics, issue context, selected passages, or reading strategy.

Start with the record

I can unpack the summary, turn it into study questions, explain a selected passage, or compare it with the other articles in this issue.

Article order

In this issue

Vol. 43
1–3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4–8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9–15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16–19Nāgda's Ancient Jaina TempleM. A. Dhaky20–25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26–34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. DhakyCurrent article35–42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43–53Prāsāda as CosmosM. A. Dhaky54–65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66–70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71–84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85–100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101–105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106–114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115–117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118–138The Works of Vacaka UmasvatiM. A. Dhaky139–145Two Less Known Works of BilhanaM. A. Dhaky146–163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164–173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174–192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193–204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205–214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215–218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219–220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Same author

More by M. A. Dhaky

All articles →
Sambodhi

Two Less Known Works of Bilhana

By M. A. Dhaky

2020-2022
Sambodhi

The Works of Vacaka Umasvati

By M. A. Dhaky

2020-2022
Sambodhi

A note on the Jina Image from Medata, Rajasthan

By M. A. Dhaky

2020-2022
Sambodhi

On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)

By M. A. Dhaky

2020-2022

Continue reading

Related articles

Sambodhi

The Bauddha-Santana Dvatrimsika of Siddhasena Divakara

By M. A. Dhaky

1998-1999