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The Morphology of the ‘Trident’ Weapon

By M. A. Dhaky

Vol. 432020-2022pp. 54–65English

Summary

This study analyses the trident (triśūla), regarded as the supreme weapon of Śiva, Durgā and other divinities. Trident forms vary regionally and temporally; the article divides them into northern and southern zones with sub‑types and notes that formal diversification began soon after its earliest appearances. Drawing on textual sources such as the Aparājitapṛcchā, Lākṣaṇasamuccaya and Kāraṇāgama, the author provides precise measurements: the Aparājitapṛcchā assigns 10 units to the staff, one to the holder and five to the weapon head with spear (śūla) and flanking spikes. The Lākṣaṇasamuccaya specifies chamfered edges, horn‑like spikes and a lotus‑leaf , while the Kāraṇāgama describes crescent‑moon shaped spikes and an elliptical. The article compares Indian tridents with Greek tridents: whereas Hellenic prongs are parallel and attach to a cross‑bar, Indian tridents are more organic, with lateral spikes merging into the central. Figures illustrate regional variants from Gupta, Tamil and Javanese contexts, showing how decoration and proportions differ. The author concludes that the trident’s evolution reflects both symbolic meaning and artistic experimentation. He proposes further comparative studies of related weapons such as the vajra.

Summary reviewed by a volunteer editor.

Conclusion

Through textual analysis and visual comparison, the paper reconstructs the ideal proportions and design of the trident and shows how regional styles diverged. It stresses that Indian tridents are more dynamic than their Greek counterparts, emphasising the symbolic potency and artistic diversity of this weapon in South Asian iconography.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The tri$iila is the chief weapon?® of $iva who is hence called $ulin or Salapani, the wielder of the trident-weapon.”
  • “The trident-forms noticed in association with the Indian sacred images reveal many formal variations that follow the biaxial rhythm of the regional and period styles.”
  • “The trisiila, as the Apardjitaprcchd enjoins, should be of 16 units, out of which 10 are to be allocated to the danda (staff), 1 to the nabhivrttaka (circular holder at staff’s upper-end) and the remaining 5, by reductio ad absurdum, to the weapon-head which the latter holds,”

Works cited in this article

  1. Apardjitaprccha of Bhuvana-deva
  2. Laksanasamuccaya of Vairocani
  3. Karanagama
  4. R. D. Banerji, Eastern Indian School of Mediaeval Sculpture, ASI (NIS), Vol. XLVII, Delhi 1933
  5. Pierre Grimal (editor), Larousse World Mythology, London 1965

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Texts & works

  • Laksanasamuccaya
  • Apardjitaprccha
  • Karanagama

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In this issue

Vol. 43
1–3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4–8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9–15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16–19Nāgda's Ancient Jaina TempleM. A. Dhaky20–25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26–34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35–42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43–53Prāsāda as CosmosM. A. Dhaky54–65The Morphology of the ‘Trident’ WeaponM. A. DhakyCurrent article66–70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71–84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85–100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101–105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106–114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115–117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118–138The Works of Vacaka UmasvatiM. A. Dhaky139–145Two Less Known Works of BilhanaM. A. Dhaky146–163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164–173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174–192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193–204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205–214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215–218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219–220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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