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A Puzzle for the Scholars of Buddhist History

By Nagin J Shah

Vol. 191994-1995pp. 48–49English

Summary

Nagin J. Shah's article, "A Puzzle for the Scholars of Buddhist History," examines a potential historical allusion in the works of the Sanskrit poet Kalidasa, specifically in the *Raghuvamsa* (XIII. 7). The author notes that Kalidasa frequently references historical events, personalities, and geographical details. Shah argues that a verse in the *Raghuvamsa* contains a double meaning, or *slesa*, that alludes to an event in Buddhist history. The second meaning of the verse suggests that the Mahlsasakas, followers of the Mahlsasaka school, were humbled in their pride due to *paksaccheda* and *gotrabheda*. Consequently, they were harassed by others and took refuge under the neutral and impartial Dharmottara. This interpretation raises several unresolved questions regarding the historical context. These include the timing of the event, the specific meanings of *paksa* and *gotra* in this context, the conditions that led to the schisms, the identity of the harassers, the nature of the harassment, and the identity and impartiality of Dharmottara. Furthermore, the author questions whether "Madhyama" was a title conferred upon Dharmottara and if he had any connection to the Dharmottarya school. To investigate the identity of Dharmottara, the article discusses the 12th-century Svetambara Jaina monk VadirDeva Siiri and his *Pramananayatattvalokalankara*, along with its commentary, the *Syadvadaratnakara*. VadirDeva Siiri refers to both Dharmottara and Vrddha-Dharmaottara. This led Muni Jinavijayji to theorize that they were two different individuals sharing the same name, one senior and one junior. However, Pt. Mahendra Kumar, after examining the quotations in the commentary, concluded that they refer to the same person, specifically the well-known commentator on Dharmaklrti. Because the *Syadvadaratnakara* identifies Dharmottara as a single individual, Shah argues there is no question of identifying the Dharmottara from the *Raghuvamsa* verse with the Vrddha-Dharmottara from the Jaina text. Ultimately, the author concludes that there is no available clue to solve the puzzle posed by the *Raghuvamsa* verse.

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Conclusion

This article identifies a significant puzzle in Buddhist history through a double entendre in Kalidasa’s *Raghuvamsa*, which possibly alludes to a specific event involving the Mahisasaka school. The verse suggests that the Mahisasakas were humbled by *paksaccheda* and *gotrabheda*, leading them to seek refuge under a neutral figure named Dharmottara. However, the text highlights that these historical details remain entirely obscure, leaving fundamental questions unanswered regarding the timeline of the event, the nature of the schisms, the identity of the harassers, and the specific role of Dharmottara. Despite comparing the figure to the well-known commentator of Dharmakirti mentioned in a 12th-century Jaina text, no conclusive evidence emerges to solve the mystery. Consequently, the article underscores a critical gap in the historical record, challenging scholars to decipher these cryptic references and reconstruct the lost dynamics of early Buddhist sects.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The Mahlsasakas (mahldhrah) were humbled' in their pride (.attagandhah) on account of Paksaccheda and gotrabheda 3 .”
  • “So there is no question of ouridentity flying Dharmottara reffered to in the Raghuvamsa verse with Vrddh.a Dharmottara mentioned in the Syadvadaratnara.”

Works cited in this article

  1. Hindi Introduction to Nyayakumudacandra, Ed. Pt. Mahendra Kumar, Vol. I, Manikchandra Digambara Jaina Granthamala, No. 38, 1938, pp. 94-96.

Discussed in this article

People

Texts & works

  • Raghuvamsa 6
  • Meghadiita
  • Hastavala (prakarna)
  • Pramananayatattvalokalankara

Dynasties, sects & groups

  • Mahlsasakas
  • Malrisasaka

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In this issue

Vol. 19
1–20Origin and Development of Theatre in Ancient IndiaRadhavallabh Tripathi21–23Reconsideration of Sri Śaṅkuka’s Views on Rasa‑NispattiTapasvi Shambhuchandra Nandi24–42Visvanātha’s Kavyaprakāśadarpana and SahityadarpaṇaJagruti S. Pandya43–47On MIA *lagg* Used as a ‘Vector’ VerbHarivallabh Chunilal Bhayani48–49A Puzzle for the Scholars of Buddhist HistoryNagin J ShahCurrent article50–62Some Common Elements in Brahmanism and BuddhismRatilal N. Mehta63–65The Jain Concept of Śramaṇa in the Aupapātika SūtraCh. Lalitha66–73Karma and Freewill: A Comparative Study of Hinduism, Buddhism and JainismArvind Sharma74–79Recent Research in the History of GujaratHariprasad G. Shastri80–85Management of Temples at Nāḍol during the Caūhān PeriodRam Vallabh Somani86–90Continuity of Tradition in Medieval Sculpture and Painting in Western IndiaShridhar Andhare91–99मन्त्रार्थवर्तन में यास्क एवं वेदकृतादिभाष्यकारों का वैचित्र्यBharti Satyapal Bhagat100–107संस्कृत साहित्य में नूतन प्रयोगJaiprakash Narayan Dwivedi108–111भरतपुर क्षेत्रीय चित्रित स्थल एवं चित्रण विषयTanuja Singh112–122‘त्रिवेन्द्रम्‑रूपक’ मां सन्स्कारुपनो विशेष विनियोगVasantkumar M. Bhatt123–125ક多少ક प्रतीरूप अभिलेखो (Gujarati title approximated)Lakshmanbhai Bhojak126–128चौलक्य भीमदेव … तामपत्र (वि सं १२६३)Narayan M. Kansara129–133अनुवादवृत्तिरस्मिः: प्रामाण्याप्रामाण्यम्Lalita Chakraborty134–154The Tarka‑Bhāṣā‑Vārtika of ŚubhāvijayaNarayan M. Kansara155–175ReviewsNarayan M. Kansara176–178ObituariesShridhar Andhare, Jitendra B. Shah

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