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The Jain Concept of Śramaṇa in the Aupapātika Sūtra

By Ch. Lalitha

Vol. 191994-1995pp. 63–65English

Summary

This article examines the Jain concept of the śramaṇa as delineated in the Aupapātika Sūtra. The author, Ch. Lalitha, situates the text within the broader Jain canonical literature, which was compiled during a council at Valabhī under Devardhi between the 5th and 6th centuries A.D. The Aupapātika Sūtra is identified as the first of the twelve Upāṅgas, a classification that includes texts such as the Rajaprasniya, Jīvābhigama, and Prajñāpanā. The primary purpose of this Sūtra is to study the attributes and duties of a true and well-behaved śramaṇa, preparing a novice monk to overcome the hurdles of saṃsāra and attain perfection. The main argument of the article is that a true śramaṇa is defined by rigorous asceticism, self-control, and virtuous conduct. The text illustrates that such a monk performs good actions while remaining free from anger, pride, attachment, and inquisitiveness. The author details the specific evidence and duties of a well-behaved monk, citing the Uvāyā Suttam. The monk must practice strict controls over movement, speech, and bodily functions, and he must maintain celibacy and freedom from material possessions. The article outlines various forms of external and internal penances, including fasting for specific periods such as a month, two months, or even a lifetime, as well as practices like kāyotsarga. A learned monk also restricts his use of pleasant and trustworthy items, reduces food intake, and consumes non-spiced or bland food. Furthermore, the śramaṇa must bear physical calamities, remain humble, and possess various forms of knowledge, including perceptual, scriptural, and telepathic knowledge. The sources discussed include Narendra Bhattacharya’s *Jain Philosophy: Historical Outline*, Padmanabh S. Jaini’s *The Jaina Path of Purification*, and Ganesh Lalwani’s edited version of the *Uvavaiya Suttam*. The article concludes that the Aupapātika Sūtra serves as a foundational guide for inculcating the duties of the śramaṇa in a novice monk.

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Conclusion

This study of the Aupapātika Sūtra reveals the Jain concept of a true Śramaṇa as a figure defined by rigorous asceticism, strict self-control, and virtuous conduct. The text delineates that a well-behaved monk must master external and internal penances, regulate his senses, speech, and mind, and adhere to detailed rules of movement, begging, and daily maintenance. Beyond mere physical austerity, the ideal Śramaṇa is characterized by profound humility, unwavering faith, and a deep understanding of various forms of knowledge. The ultimate objective of this canonical text is to mentally prepare a novice monk, guiding him to overcome the hurdles of *saṃsāra* through righteous thought, speech, and action, thereby achieving spiritual perfection.

Key passages

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  • “This Sutra illustrates how a ;Tva is reborn in next life according to change discretion, reflection and asceticism with manifold illustrations in a very lumpid manner.”
  • “It is evident from the above study of the delineation of the concept of monk in the Aupapatika Sutra that the chief object of the text is to inculcate in a novice monk the duties of Sramana and to mentally prepare him before hand and by practising righteousness in thought, speech and action he can overcome all hurdles in samsara and attain perfection.”

Works cited in this article

  1. Narendra Bhattacharya 'Jain Philosophy : Historical Outline' Munsiram Manohanlal Pub. Pvt. Ltd., Introduction p.18.
  2. Padmanabh S. Jaini, The Join Path of Purification', Motilal Banarsidass, Delhi, 1979, pp.56-57.
  3. Ganesh Lalwani (Ed), Uvavaiya Suttam, Prakrit Bharati Academy, Jaipur, 1988, p.55.
  4. Ibid, pp.55-59.
  5. [bid. pp.84-85.

Discussed in this article

People

Texts & works

  • Aupapatikasutra 5
  • Uvavaiya Suttam
  • Jain Philosophy : Historical Outline
  • Join Path of Purification

Dynasties, sects & groups

  • Agamas
  • Upangas

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In this issue

Vol. 19
1–20Origin and Development of Theatre in Ancient IndiaRadhavallabh Tripathi21–23Reconsideration of Sri Śaṅkuka’s Views on Rasa‑NispattiTapasvi Shambhuchandra Nandi24–42Visvanātha’s Kavyaprakāśadarpana and SahityadarpaṇaJagruti S. Pandya43–47On MIA *lagg* Used as a ‘Vector’ VerbHarivallabh Chunilal Bhayani48–49A Puzzle for the Scholars of Buddhist HistoryNagin J Shah50–62Some Common Elements in Brahmanism and BuddhismRatilal N. Mehta63–65The Jain Concept of Śramaṇa in the Aupapātika SūtraCh. LalithaCurrent article66–73Karma and Freewill: A Comparative Study of Hinduism, Buddhism and JainismArvind Sharma74–79Recent Research in the History of GujaratHariprasad G. Shastri80–85Management of Temples at Nāḍol during the Caūhān PeriodRam Vallabh Somani86–90Continuity of Tradition in Medieval Sculpture and Painting in Western IndiaShridhar Andhare91–99मन्त्रार्थवर्तन में यास्क एवं वेदकृतादिभाष्यकारों का वैचित्र्यBharti Satyapal Bhagat100–107संस्कृत साहित्य में नूतन प्रयोगJaiprakash Narayan Dwivedi108–111भरतपुर क्षेत्रीय चित्रित स्थल एवं चित्रण विषयTanuja Singh112–122‘त्रिवेन्द्रम्‑रूपक’ मां सन्स्कारुपनो विशेष विनियोगVasantkumar M. Bhatt123–125ક多少ક प्रतीरूप अभिलेखो (Gujarati title approximated)Lakshmanbhai Bhojak126–128चौलक्य भीमदेव … तामपत्र (वि सं १२६३)Narayan M. Kansara129–133अनुवादवृत्तिरस्मिः: प्रामाण्याप्रामाण्यम्Lalita Chakraborty134–154The Tarka‑Bhāṣā‑Vārtika of ŚubhāvijayaNarayan M. Kansara155–175ReviewsNarayan M. Kansara176–178ObituariesShridhar Andhare, Jitendra B. Shah

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