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Srimad Bhagavata—Place of its Origin

By Jitendra Nath Banerjee

Vol. 27 · No. 2June - 1951pp. 138–143English

Summary

This article examines linguistic, architectural and cultural evidence to argue that the Bhagavata Purana was composed in South India, likely in the Tamil‑speaking Pandya country. The author notes that the Purana uses the term ‘gopura’ for temple gateways and describes temples with towering gateways, features characteristic of Dravidian rather than northern architecture. It recounts the story of the Pandya king Malayadhvaja who performs a great sacrifice on the banks of the Tamraparni and is succeeded by his daughter married to Krishna, indicating a southern setting. The text also employs Tamil devotional terms and reflects an ecstatic bhakti ethos akin to that of the Alvar saints. Iconographic descriptions correspond to South Indian bronze images, and there are allusions to sacred sites such as Kanchi and Srirangam. The author argues that these southern references collectively outweigh northern claims and suggests that the Bhagavata was produced in the Pandya region around the eighth or ninth century CE.

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Conclusion

The article concludes that internal clues—south‑Indian temple terminology, references to Pandyan kings, Dravidian devotional practices and iconography—point to a southern origin for the Bhagavata Purana. It proposes that the work emerged from the Tamil‑speaking Pandya realm and reflects the emotional bhakti movement of the Alvars. This challenges older theories of a northern origin and highlights the diverse regional contributions to Vaishnavism.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The word ‘gopura’ frequently occurs there in the descriptions of temples, cities and townships, and there can be lictle doubr that it connotes the peculiarly south-Indian structure well- known from the extant architectural remains of comparat'ivcly early period onwards in different parts of southern India.”
  • “Scholars have long suspected with a great deal of justification that the author (one or more of this Mahapurana belonged to south India.”
  • “The type or types of bbakti that have been delineated there seem to have ૩ southern character, the emotional phase of which has so beautifully been illustrated not only 10 the songs (the prabandhas) of . the Alvars but also 10 those of the Siva-bhaktas— the Devaram hymns of the Nayanars or Nayanmars.”

Works cited in this article

  1. W. D. P. Hill, The Bbagavadgita, Introduction, p. 52
  2. Bb.P, BK. 111. ch. 28, 7-10
  3. S$ridhara Swami further subdivides each of the 9 types of devotees into 7 groups
  4. Bb.P, VI 24, 10-13

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