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Review: Rgyan-Drug Mchog-Gnyis

By Jitendra Nath Banerjee

Vol. 37 · No. 4December - 1961pp. 293–294English

Summary

The review evaluates Rgyan‑Drug Mchog‑Gnyis, a publication of the Namgyal Institute of Tibetology. The book reproduces five colour plates of 17th‑century Tibetan thanka paintings depicting the Buddha and eight Mahāyāna masters, accompanied by descriptive essays that explain iconography and artistic features. It also includes biographies of the masters and appendices such as a Sanskrit–Tibetan glossary and a bibliography. The reviewer praises the Institute’s efforts to preserve and share Tibetan cultural heritage, noting that the high‑quality reproductions and accessible commentary make the work valuable to both scholars and lay readers interested in Buddhism and Tibetan art.

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Conclusion

The review commends the Namgyal Institute of Tibetology’s inaugural publication for its faithful reproductions of rare thankas and informative essays. By making Tibetan art and Buddhist teachings accessible, the book serves as an important cultural bridge and enriches the study of Mahāyāna iconography.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The Rgyan-Drug Mchog-gnyis is the Insticute’s first publica- tion, It illustraces five Tibetan Thankas originally painted by the sixth in the line of the Gyalwa Karmapa incarnation in the middle of the 17¢h century A.D.”
  • “the intention in bringing out पट book was not 50 much for the usc of academic circles as to make known through these great works of religious inspiration the more important aspects of Mahdyana philosophy and iconography to a wider circle of readers’”

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  1. N. BANERJEA

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  • Rgyan-Drug Mchog-Gnyis

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  • Maharajkumar of Sikkim

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