Some Unidentified Rare Sculptures from Abicchatra
By K. N. Sastri
Summary
The article examines terracotta plaques uncovered at Ahicchatra and now housed in the National Museum. These rare sculptures depict mythological scenes such as Manu Vaivasvata ascending on a composite mare‑woman, various forms of Siva including Paśupati, Kapālin and Śrīkaṇṭha, and episodes like Siva striking Viśvaksena. Detailed descriptions of hairstyles, ornaments, costumes and poses allow the author to link the images to Vedic and Purāṇic stories from the Satapatha Brāhmaṇa, Vishnudharmottara Purāṇa, Mahābhārata and other texts. The plaques are characterised by high relief modelling, dynamic composition and elaborate ornamentation, suggesting a mature artistic tradition. By comparing iconography and literary sources, the article argues that the terracottas were votive objects reflecting a synthesis of Vedic, Purāṇic and regional beliefs. The author dates them to the early centuries CE and emphasises their value for understanding the evolution of Hindu iconography.
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Conclusion
The terracotta plaques from Ahicchatra illustrate complex mythological narratives and reveal a synthesis of Vedic, Purāṇic and local traditions. Their sophisticated modelling and ornamentation indicate a flourishing sculptural tradition in early historic India. These finds illuminate the development of Hindu iconography and highlight Ahicchatra’s importance as a religious art centre.