Articles discussing Siva
Śiva and his Emblems on Early Indian Coins and Seals
Jitendra Nath Banerjee · The Indian Historical Quarterly, 1940
Syncretic Harmony: The Iconography of Harihara in Hindu Tradition
T. Chandrakumar · Journal of Indian History and Culture, 1999
“Harihara is a syncretic form of Siva and Visnu. It represents the union of the two deities in one and the fusion of the sects or sectarian interests.”
Central and Western Indian Historical Testimonies on Early Medieval Śaivism
Surabhi Srivastava, Shakuntala Misra · Journal of Indian History and Culture, 2021
Central and Western Indian Historical Testimonies on Early Medieval Śaivism
Surabhi Srivastava, Shakuntala Misra · Journal of Indian History and Culture, 2021
The Divine Triad: Gaṅgā, Śiva, and Royal Identity in Gaṅgādharamūrti Iconography
Linga Worship in the Mahabharata
Nanimadhab Chaudhuri · The Indian Historical Quarterly, 1948
Bhairava Iconography and Cattainathasvami Cult in Tamil Tradition
T. Chandrakumar · Journal of Indian History and Culture, 1996
“In these malignant forms, Bhairava images in round are found consecrated either in a shrine or without a structure at the north eastern corridor of the Siva temples' and appear as one of the Parivaradevatas”
Some Unidentified Rare Sculptures from Abicchatra
The Asta-murti concept of Siva in India, Indo-China and Indonesia
Kamleshwar Bhattacharya · The Indian Historical Quarterly, 1953
“Siva was conceived 11 India, as well as 10 the Hinduized lands of indo-China and Indonesia, as both immanent and transcendent,”
On the Origin of the Hindu Drama
Mano Mohan Ghosh · The Indian Historical Quarterly, 1955
“Brahman who compiled the first treatise on the dramatic art once asked Bharata to prepare for the production of a play named Amrtamanchana which he (Brahman) composed, and chen accompanied by the latter as well as other gods, he wene to the Himilaya che abode of Siva to see this play produced before the latter.”
Some Aspects of Saivism
Rabindra Kumar Panda · Sambodhi, 2009
The Mahabhagavata-Purana, a work of Bengal
Rajendra Chandra Hazra · The Indian Historical Quarterly, 1952
Lakulisa Iconography in Arittapatti Cave: A Pandya Rock-Cut Sculpture Study
The Identity of Rsabha and Siva
Jain Journal A Quarterly on Jainology, 1968
“The Jainas also retce ty Reabha as Siva and che path af liberanon Founded be him ive the Path of Sis ia.”
Matsyendranātha and his Yoginī Cult
The Morphology of the “Trident” Weapon
M. A. Dhaky · Sambodhi, 2011
Early Jainism and Śaivism: Interaction and Counteraction
Bansidhar Bhatt · Sambodhi, 2012
Ardhanarisvara in South Indian Sculpture
K. S. Ramachandran, C. Krishnamurthi · The Indian Historical Quarterly, 1960
Some Aspects of the Worship of Nārāyaṇa (II)
Nanimadhab Chaudhuri · The Indian Historical Quarterly, 1946
The Gita Literature and its relation with Brahma-Vidya
Umesh Chandra Bhattacharya · The Indian Historical Quarterly, 1926
Dance in South Indian Sculpture and Painting
Leela Ganapathy · Journal of Indian History and Culture, 1996
Patanjali
Prabhat Chandra Chakravarti · The Indian Historical Quarterly, 1926
Some Additional Notes on Matsyendranatha
Jogendra Chandra Ghosh · The Indian Historical Quarterly, 1930
“As to the origin of the name Matsyendranatha, Siva Chandra Sil, editor of the ‘Govindacandra-gita’ of Durlabha Mallika, suggested that Matsyendranitha was so named bzacause hic place of origin was Matsya- desa, another name of Bengal”
The Saivaite Deity Ksetrapala
Chintaharan Chakravarti · The Indian Historical Quarterly, 1933
“Ksetrapala appears 10 be a Saivite deity from the descriptions that are 1121 with in various works. In aone place 8૯ 15 definitely called a son 01 Siva (§ambhu-tanaya)® According to the Linge Purana® Ksetrapila is an incornation कई Siva.”
Vedic Deities: The Mystery Behind Their Multiple Names
Amiya Kumar Chakravorty · The Indian Historical Quarterly, 1962
Art and Philosophy in Hindu Temple Building
Prafulla Chandra Basu · The Indian Historical Quarterly, 1926
Rudra
Fatah Singh · The Indian Historical Quarterly, 1940
“The clue to the exact interpretation of the Rudra-myth lies in its being a mixture of opposites. He is beneficent Siva (10, g2, 9), and is supplicated to avert the anger or the evil that comes from the gods (1, 144» 45 2, 33» 7), to save beings from calamity (5, 51, 13), t0 bes- tow blessings (1, 114, 1, 2; 2, 33, 6), and wish welfare for the man and beast (1, 43, 7).”
Tripada-Matras of the Mediaeval Period
Ratna Chandra Agrawala · The Indian Historical Quarterly, 1955
A Devotional Drama in Sanskrit
An interesting Terracotta Plaque from Ahicchatra (U.P.)
Thillaisthanam Natarajan Ramachandran · The Indian Historical Quarterly, 1951
A Study of the Tree of Life and the Aṣṭamḃgalas in Jainism
A. K. Bhattacharya · Jain Journal A Quarterly on Jainology, 2007
Temples and Tree Cult in Gajapati District: Sacred Plants and Religious Practices in Indian History and Culture
N. P. Panigrahi · Journal of Indian History and Culture, 2007
The Khaṭvāṅga of the Pallavas
Tirthas in the Kandula Purana
S. K. Dave · Sambodhi, 1990
More on Manimekhala
Pali 'maraji': Sanskrit 'smarajic'
Sukumar Sen · The Indian Historical Quarterly, 1956
“The story of the destruction of the god of love (Smara, Madana) by Siva ulcimately goes back to a Vedic origin.”
Religion of Kavikankana Mukundarama Cakravarti
Basanta Kumar Chatterjee · The Indian Historical Quarterly, 1928
Some Important Episodes in the Vasudevahindi and the Reconstruction of the Brhatkatha
J. C. Jain · Sambodhi, 1975
Kuṇṇāthamman: Transformation of Sapta-mātrikas
The Paramara Emperor Bhoja the Great and Kavi Dhanapala: A Study in their Mutual Relationship
Narayan M. Kansara · Sambodhi, 1975
Medieval Narrative Bengali Poetry on Historical Themes
Asutosh Bhattacharya · The Indian Historical Quarterly, 1944
Alamkara‑Dappana
Harivallabh Chunilal Bhayani · Sambodhi, 1996
Pumskokilakujita in Kalidasa
On a Tantrik Fragment from Kucha (Central Asia)
Sanskrit Works on the Game of Chess
Chintaharan Chakravarti · The Indian Historical Quarterly, 1938
Sanskṛta Sāhitya Pariṣad Series
Chintaharan Chakravarti · The Indian Historical Quarterly, 1925
Aristanemi
Tirthankara Nemi and the Bhagavadgita
S. P. Kagwal, M.Y. Dharmapal · Jinamanjari, 1999
Some Folk Goddesses of Ancient and Mediaeval India
Jitendra Nath Banerjee · The Indian Historical Quarterly, 1938
Guali
Jainism in the Uttara Pradesha
An Ancient Sculpture of the Ridha Mandala
An Old Version of the Jaina Ramayana
Jagadish Chandra Jain · Sambodhi, 1975
Jaina Alchemy as Revealed in Suvarna‑Raupya‑Siddhi‑Sastra of Sri Jinadatta Suri (V.S. 1210)
Cantabile to Aristanemi
Frank R. Mansell · Jinamanjari, 2004
“Aristanemi, who was to attain mniscience in this life, is the son of Siva and her husband Samudravijaya of Sauripura, a brother of Krishna.”
A Note on Sanmukha Karttikeya
Lalit Kumar · Sambodhi, 1983
“The son of Siva and Parvati, the commander-in-chief of gods' army (Sendm na maharri) is known by various names, One of them is Sanmu- kha (six faced); which again refers to circumstantial birth of this god.”
Review – Life in Ancient India as depicted in the Jain Canons
Review – Buddhism and Asoka
Select Contents of Oriental Journals
A God Descended from Heaven
Agriculture
Maha‑Pralaya and Last Judgment
Ananda Kentish Coomaraswamy · The Indian Historical Quarterly, 1933
Bharatavakya
Origin of Buddhism
The Missions of Jaina Sangha
Hymn to Mahavira
Jina Ballabha Suri · Jain Journal A Quarterly on Jainology, 1967
Identifying the Chief Architect in Arjuna’s Penance Panel
Aravind Kumar · Journal of Indian History and Culture, 2015
“In the Chola sculptures of Adhikara Nandi, we find that he is holding a sword in both of his hands to denote his authority in Siva's abode. A similar feature can be seen in this image too: the dagger looks prominent in the waist of the sculptor.”
Mahisha and Durga: Buffalo Demon Legend
Nanditha C. Krishna · Journal of Indian History and Culture, 2005