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The Mahabhagavata-Purana, a work of Bengal

By Rajendra Chandra Hazra

Vol. 28 · No. 1March - 1952pp. 17–28English

Summary

This paper examines the Mahābhāgavata‑Purāṇa, an obscure Upapurāṇa from Bengal that should not be confused with the canonical Bhagavata‑Purāṇa. The author provides an inventory of printed editions and manuscripts preserved in Indian libraries, noting that the only printed edition was issued in 1913 by the Gujarati Printing Press and that many manuscripts are written in Bengali script. After reviewing catalogues from the India Office and the Asiatic Society, the article turns to the contents of the text. The Mahābhāgavata opens with maṅgala verses saluting Devī as the supreme prakṛti who creates and destroys the universe; it claims to be a revelation from Mahādeva to Vyāsa and then to Jaimini in response to a request to describe a Purāṇa on the glory of the goddess. Unlike the Vaiṣṇava Bhagavata, this Purāṇa belongs to the Śākta tradition: it extols Devī as para, grants her a place above Brahmā, Viṣṇu and Śiva and narrates episodes celebrating her exploits against demons. The author points out that the text is heavily infused with Tantra; it praises the worship of Śākta deities, prescribes rituals and includes hymns that later appear in Devī‑Bhāgavata and other Śākta works. Although comparatively late and omitted from major Purāṇa lists, the Mahābhāgavata deserves attention because it reflects the religious life of eastern Bengal, where goddess worship was intertwined with folk practices. Its language and metre also suggest a regional origin. The article concludes by urging further study of this Purāṇa to understand the evolution of Bengal’s devotional literature and by correcting the common misidentification of the text with the Bhagavata‑Purāṇa.

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Conclusion

By distinguishing the Mahābhāgavata‑Purāṇa from the better‑known Bhagavata‑Purāṇa and surveying its manuscripts, the article positions this text as a significant yet neglected Śākta work. Its hymns to Devī, tantric overtones and regional circulation illuminate the diversity of Purāṇic literature and highlight Bengal’s contribution to the development of goddess worship.

Key passages

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  • “The Mahabhagavata-Purana, a work of Bengal This work! must be distinguished from the famous Vaisnava Mahidpurana called Bhiagavata, which also 15 sometimes called ‘Maha- 1 The”
  • “Although it 15 a comparatively late work and 15 not mentioned in any of the Puri- 035 and Upa-puranas except the Brbad-dbarma-purana®, it deserves to be studied for information about the contemporary state of Hindu religion and society in Bengal, especially in its eastern part which was adjacent to”
  • “Hence the Mababbagavata must have preceded the Brbaddbarma-p. by ૩ fairly long time, otherwise it could not be regarded 35 an autho- ritative *Mahat Purana’ by the author of the latter. &ીડ the Brbad-- dbarma-p. was composed not later than the middle of the fourteenth century A.D., the Mababbagavata cannot be dated later than the twelfth century”

Works cited in this article

  1. Gujarau Printing Press, Bombay, 1913
  2. Eggeling, India Office Catalogue of Sanskrit Mss., VI, pp. 1280-82, No. 3547
  3. Haraprasad Shastri, Catalogue of Sanskrit Mss. in the Asiatic Society of Bengal, V, pp. 772-4, Nos. 4112-16
  4. Roth, Tu'bi.flgm Catalogue, p. 15
  5. Haraprasad Shastri, Notices of Sanskrit Mss., p. 142-3, No. 220

Discussed in this article

Texts & works

  • Vaisnava Mahidpurana
  • Mahabhagavata-Purana

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