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The Text-Problem of the Krsnakarnamrta

By K. Kunjunni Raja

Vol. 22 · No. 1March - 1946pp. 66–72English, Sanskrit

Summary

In 'The Text‑Problem of the Krsnakarnamrta', an anonymous scholar (likely summarising the arguments of Dr. S. K. De) examines the structure of the devotional poem Krsnakarnamrta (KK) attributed to the South Indian poet Bilvamangala. Dr. De contended that the Bengali recension of the KK, which consists of a single canto (asvasa), represented the original work, and that the additional two cantos found in the South Indian recension were later accretions. The article reviews the evidence for this thesis. First, it notes that the Bengali tradition, stemming from the 16th‑century scholar Caitanya and his disciples, knows only the first canto; early commentaries like the Subodhini by Gopala Bhatta and the Sarojangi by Krsnadasa also treat only the first canto. Second, the article examines South Indian manuscripts and notes that early Kerala commentaries, such as that of Madhusudana Sarasvati’s Locana, accept the existence of three cantos and that some verses in the second and third cantos appear in other works attributed to Bilvamangala. Third, it surveys evidence from Rupa Gosvamin’s Padavali, which contains verses found in the later cantos, implying that these verses were known by the 15th century. The article critiques De’s argument that differences in literary quality prove spuriousness, noting that quality is subjective and that later verses may reflect stylistic evolution. It also notes that apocryphal works like the Sankarananda, Bhartrhari Satakatraya and Amaru Sataka show how compilations can accumulate verses from various sources. The article concludes that while the first canto is undoubtedly ancient, the second and third cantos may not be wholly spurious; instead, they may represent later compilations of verses associated with Bilvamangala. The author calls for a critical edition that collates all available manuscripts to determine the evolution of the text.

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Conclusion

The discussion of the KK highlights the challenges of establishing an ‘original’ version of a fluid devotional text. The evidence suggests that the poem evolved through accretion: early devotees circulated a core set of verses, and later compilers added further hymns. Dismissing entire cantos as spurious overlooks this organic process. A comprehensive critical edition based on all recensions is necessary to appreciate the poem’s development and its place in the Vaishnava devotional tradition.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The Bengal tradition appears to have originated from the time of Caitanya (1486-1533 A.D.)”
  • “Thus it seems probable, according to Dr. De, that in Bengal ‘‘the tradition of the text was better preserved and less modified than jin its _ place of origin."°”
  • “Hence it may be safely maintained that Dr. De's theory about the spuriousness of the second and third cantos of the KK. cannot be taken as established, and that at best it still remains a hypothesis.”

Works cited in this article

  1. Introduction to the KK.
  2. Krsnadasakaviraja's Bengali Caitanyacaritamrta, Antya, ix, 304-05.
  3. Dacca University Oriental Publication Series, No. 5, 1938.
  4. An early manuscript of the Krsnakarnamrta of Bilvamangala, by H. G. Narahari, Adyar Library Bulletin, VIII, February, 1944, pp. 43-45.
  5. Saint Vilvamangala, by Ulloor S. Paramesvara Iyer, Proceedings of the Oriental Conference, Trivandrum, 1937, p. 475.

Discussed in this article

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Texts & works

Dynasties, sects & groups

  • South Indian recension

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