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The Scribes of Bengal

By Pramode Lal Paul

Vol. 10 · No. 3September - 1934pp. 571–574English

Summary

This article celebrates the craftsmanship of the Gauda‑Magadha school of scribes in early medieval Bengal. With the rise of the Pala empire in the eighth century, a new artistic movement flourished in sculpture, architecture and calligraphy. Taranatha credits artists like Vitapala and Dhiman with founding this school, whose influence spread beyond the Pala realm. The article focuses on epigraphy: it notes that even kings from other parts of India sought out Gauda Kayasthas to engrave their inscriptions because of their refined lettering and design. Examples include the Apshad inscription of Adityasena, the Mairajomura charter of Yayati, and inscriptions from Bundelkhand, Rajasthan and Marwar. The author lists these records and names the Gauda scribes responsible for them, such as Siṃhapāṇi, Rudradata and Mahideva. The Deopara inscription of Vijayasen is highlighted as a masterpiece inscribed by Siṃhapāṇi, ‘the crest‑jewel of the guild of Varendra artists,’ whose lettering combines clarity with elegance. The article argues that the widespread employment of Gauda scribes reflects both their technical skill and the prestige of the Gauda‑Magadha artistic tradition.

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Conclusion

Through a survey of inscriptions, the article demonstrates that Gauda scribes were highly sought after across northern India during the Pala period. Their precise and beautiful script earned them commissions far beyond Bengal. Recognising their contributions enriches our understanding of early medieval calligraphy and the transmission of artistic standards.

Key passages

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  • “It is o well-known fact of Indian history that with the foundation of the Pala empire about the middle of the eighth century A.D. a new movement in sculpture began in Gauda and Magadha.”
  • “The kings of other parta of India thought it a great privilege to have their pragast’s engraved by a Gauda Kayastha or a scribe of Bengal.”
  • “when the whole thatter is viewed comprehensively and from the point of the view of the expapsion of the Pala style of architecture, the con-clusion almost forces on ourselves that the degree of perfection attained hy the scribes of Bengal in the art of incising letiers ou stone surpassed that of the other parts of northern India.”

Works cited in this article

  1. Schiefner, Geschichte des Buddismus, pp. 279-80
  2. Fleet, Gupta inscriptions, Na, -42, p. 208
  3. SBORS., 1916. p. 45
  4. Ep. Ind., vol. 1, p. 123
  5. B. C. Majumder's Son pur, pp. 30-31, 125-116

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