Some Images and Traces of Mahāyāna Buddhism in Chittagong
Summary withheld
An automated check found that the earlier summary of this article may not match its text, so it is hidden while it is rewritten. Please read the original PDF below.
An automated check found that the earlier summary of this article may not match its text, so it is hidden while it is rewritten. Please read the original PDF below.
Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.
“The identification of the images, well-known as they are, needs no remarks.”
“The lack of liveliness in the facial and physiognomical expressions, the static poses, the rigidity in the treatment of the curls of hair ard the folds of the sanghdt?, in short, a dullness noticeable in the general treatmnent leaves no douht in our minds that they are prodactions of local artists with poor accom- plishments aiming to produce replicas of what they saw”
“They also prove that the donors could not have belonged to the School of Buddhism prevailing at present at Chittagong; hence the seven images of Buddha are, in fact, relics of the old school of Buddhism followed by at least some families in Chittagong.”
People
Places
Dynasties, sects & groups
AI guide
Ask about the article, its topics, issue context, selected passages, or reading strategy.
Article order
Inline viewer
Checking source PDF
The viewer will load here if the archive file is reachable.
Same author
The Indian Historical Quarterly
Vol. 37 · No. 4
The Indian Historical Quarterly
Vol. 32 · No. 4
The Indian Historical Quarterly
Vol. 32 · No. 2 & 3