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Gunaratna’s Saradipika

By Tapasvi Shambhuchandra Nandi

Vol. 1 · No. 4January - 1973pp. 49–54English, Sanskrit

Summary

Gunaratna’s Śāradīpikā, studied by T.S. Nandi, is an unpublished Jain commentary whose text survives in two manuscripts. Gunaratnagaṇi, a monk of the Kharatara Gaccha, composed the work as an exposition of a treatise on Sanskrit poetics. Nandi reviews the Baroda manuscript (B) of 490 folios and the Pune manuscript (P) of 112 folios, noting that they descend from a common archetype but each contains lacunae and scribal mistakes. Collation shows that the Pune copy often preserves verses omitted in the Baroda copy, highlighting the need for a critical edition. Colophons date the copying of the text to samvat 1742, implying that Gunaratna lived in the second half of the seventeenth century. He names his preceptor as Vinayasamudragani and acknowledges studying many commentaries on the Kāvyaprakāśa; his homage to Śrīmad Gosvāmī and to Tīrthankaras indicates his Jain affiliation. Nandi surveys earlier attempts to date Gunaratna, noting conjectures by scholars like Jayaswal and Kapadia ranging from samvat 1610 to 1742, but argues for the later date based on manuscript evidence. He also discusses the broader intellectual milieu: Gunaratna draws on Jain grammatical tradition as well as non‑Jain poeticians, illustrating the syncretism characteristic of late medieval Jain scholarship. The article emphasises that producing a reliable edition of the Śāradīpikā would illuminate Jain contributions to Sanskrit poetics, particularly their engagement with rhetorical concepts like alaṅkāra, doṣa and rasa. Nandi’s preliminary study thus lays the groundwork for further research and textual reconstruction.

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Conclusion

Nandi concludes that Gunaratna’s Śāradīpikā, though textually corrupt, is a valuable witness to Jain engagement with Sanskrit poetics. Establishing Gunaratna’s date and lineage situates the work within seventeenth‑century Jain scholarship and underscores the need for a critical edition. The study highlights how Jain monks participated in broader literary debates and adapted non‑Jain theories, enriching our understanding of India’s intellectual history.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Gnnarfltnaganl who composed hit Ssradiplkl on Ite K. P.. earlier then the year sam 1742, as mentioned In the colophon at the ml of ullssa X, which reads”
  • “Gunaratna's preceptor was Vlnayasamndraganl who is also mentioned In a stanza (V 3) at the start of his work, which reads”
  • “Thus, we find the author to be quite lucid and elaborate and full of freshness of approach and originality”

Works cited in this article

  1. Rasaratnapradiplkn of Allarsja
  2. Bastttara6gjhfl of ffhrairtattt
  3. Nntyziojtra of Bharata
  4. Dalarfpata of Dhtn*fl>y* mtit Dhanita's Avaloka
  5. Sri MukUkamalJaina Mohana MfilB, Pnipa -58

Discussed in this article

People

  • Gunaratna 9
  • Vinayasmudragani
  • Srimad Gosvamin
  • Parivanatha
  • Prof Hjralal R Kapadla
  • Ratnavliala
  • Narahan
  • Bhiraasena
  • Dhanita

Texts & works

  • Balacittanuranjam
  • Rasaratnapradiplkn
  • Bastttara6gjhfl

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