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Critical Survey of the Jaina Purāṇas

By Devi Prasad Mishra

Vol. 11 · No. 1-41982-1983pp. 39–47English

Summary

Devi Prasad Mishra’s article, "Critical Survey of the Jaina Purāṇas," examines the origins, development, and classification of Jaina Puranic literature. The subject is the Jaina Purāṇas, which the author argues are encyclopedic texts composed primarily in Prakrit, Sanskrit, and Apabhramsha to popularize Jaina teachings among the masses. The main argument is that the Jaina Purāṇas developed as a distinct literary tradition, heavily influenced by the political, social, and religious conditions of the post-Gupta period, particularly as a response to the rising popularity of Brahmanical Puranas and the assimilation of Buddhism. The author notes that the Jaina tradition credits the first Tirthankara, Rṣabha, with the origin of these texts, a tradition recorded in the Mahāpurāṇa. The evidence and sources discussed include the earliest references found in the Sthānakāgama-sūtra, the Trigati-salakapurusacarita by Acārya Hemacandra, the Prakrit work Tiloyapaṇṇatti, and the Svayambhastotra of Swāmi Samanta Bhadra. Mishra identifies four categories of Jaina Purāṇas: those based on the Rāmāyaṇa, those based on the Mahābhārata, those dealing with the trisasti-salakapurusas (sixty-three great men), and independent Purāṇas on the trisasti-salakapurusas. Specific works cited include the Pāumacariyam by Vimalasūri, the Padma-Purāṇa by Acārya Ravisena, the Harivaṃśa-Purāṇa by Jinasenacārya, and the Mahāpurāṇa (Adipurāṇa and Uttarapurāṇa). The article also provides a detailed chronology of these texts, dating the earliest Prakrit works from the 6th century A.D. to the 15th century A.D., Sanskrit works from the 7th to the 10th centuries, and Apabhramsha works from the 10th to the 16th centuries. The author concludes by highlighting the salient features of the Jaina Purāṇas, such as their encyclopedic nature, their eight characteristics (Loka, Desa, Naga, Rajya, Tirtha, Dana, Tapa, Gatis, and Phala), and their value as sources of contemporary socio-economic and religious history.

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Conclusion

The Jaina Puranas represent a vital branch of Indian literature, functioning as an encyclopaedia of Jainism that illuminates religious, philosophical, moral, and socio-economic conditions. Their origin and development are deeply intertwined with the political, social, and religious complexities of the post-Gupta period, a time of societal fragmentation and rising Brahmanical influence. In response to the popularization of traditional Puranas and epics like the Ramayana and Mahabharata, Jainas adapted and composed their own texts, often in Prakrit, Sanskrit, and Apabhramsa. These works are categorized into four main themes: adaptations of the Ramayana and Mahabharata, biographies of the sixty-three great men, and independent texts. Ultimately, the Jaina Puranas are highly significant for preserving valuable historical, biographical, and cultural information, reflecting the diverse linguistic and narrative traditions of medieval India.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The Jaina Puranas may be called the encyclopaedia of Jajofsm, They anlighten us on almost every topic regarding religion, philesophy, morals, rituals and the socio-economic conditions, etc.”
  • “The earliest Jaina Puran, based on the theme of the Ramayana is Paumcariyarh of Vimalasiri in the Prakrit.”
  • “Harivaméa-purana by Jinasenicarya is the earlicst Jaica-purana on the subject of Mababbarata.”

Works cited in this article

  1. Mahapurana, 1.183-201, 2.97.
  2. Rgveda 3.5.49, 3.586, 10.1306, 9.99.4.
  3. Atharvaveda 117.27, 118.7.
  4. Gopatha Brahmana 1.2.10. 1.1,10.
  5. H. H. Wilson-The Vignu Purina-A System of Hindu Mythology and Traditions. Calcutta 1961 p, 133, 270-271.

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In this issue

Vol. 11 · No. 1-4
1–4A Note on ViśeṣaR. D. Hegde5–10Free‑Will and DestinyM. P. Lakhani11–16Śokaḥ Ślokatvam Āgataḥ (Dhv. I. Sd)Tapasvi Shambhuchandra Nandi17–28The Pañcagranthi‑Vyākaraṇa of Buddhaghoṣa (V. Sam. 1080)Narayan M. Kansara29–36On the Variant Readings in AVS 3.12 as Noted in Sāyaṇa‑BhāṣyaNeelima Mane37–38Vijayarāja Paramār of JaloreRam Vallabh Somani39–47Critical Survey of the Jaina PurāṇasDevi Prasad MishraCurrent article48–50A Note on Brick ArchitectureT. N. Mishra51–56A Note on the Matṛkā Figures from the EME Dakṣiṇa‑mārti TempleMaruti Nandan Prasad Tiwari, Kamal Giri57–81Avidyā in VedāntaEsther A. Solomon82–104Sanskrit AestheticsV. M. Kulkarni105–112Number of PramāṇasR. D. Hegde113–120Tantra and Shahrazād (The 360 and the 1001 Nights)A. K. Warder121–132The Childhood Exploits of KṛṣṇaHarivallabh Chunilal Bhayani133–146Social Thought of Yājñavalkya (I)Ramesh S. Betai, Jayaben R. Betai147–153Is Vastu‑Dhvani an Expendable Form of Poetic Excellence?S. Meera154–165Fixing up of Some Variants from KālidāsaTapasvi Shambhuchandra Nandi166–175The Contribution of Jain Authors to Sanskrit Chandaḥ ŚāstraG. S. Shah176–179A Unique Bodhisattva Head from MathurāLalit Kumar180–192Tatpurvakam in Tatpurvakam Trividham Anumānam (NS 1.1.5) in Bhāṣarvajña’s ViewLaxman V. Joshi193–216Reappraisal of Degrees of Reality in Jainism, Buddhism and VedāntaYajneshwar S. Shastri217–230Observations on Some Variants in HarṣacaritaTapasvi Shambhuchandra Nandi231–270Review

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