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A Note on Brick Architecture

By T. N. Mishra

Vol. 11 · No. 1-41982-1983pp. 48–50English

Summary

The article "A Note on Brick Architecture" by T.N. Mishra examines the historical precedence and significance of brick as a primary building material in ancient Indian architecture, arguing that it predated and surpassed stone in both antiquity and the sheer scale of construction. The author posits that brick was utilized by both the rich and the poor, whereas stone was comparatively reserved for the wealthy. The argument is supported by the observation that ancient Indian civilization developed primarily in riverine alluvial regions where stone was scarce, necessitating the use of brick for expressing societal affluence. The article cites the survey reports of Sir Alexander Cunningham as evidence that the entirety of Northern India was covered with brick structures, with every ancient site exhibiting remains of brick edifices. Mishra notes that brick architecture dominated the construction of religious structures, including stupas, chaitya halls, monasteries, and temples, even as royal patronage later introduced a new tradition of stone architecture. However, brick continued to be used alongside stone, likely due to its economic viability, manageability, and easy availability. The author laments the systematic and thorough ravaging of brick monuments, as the handiness and reusability of bricks made them targets for destruction. He suggests that the material preserved at recorded sites is crucial for reconstructing a scientific history of ancient Indian brick architecture. Furthermore, the article discusses how the art of architecture influenced brick construction, citing the temples of Bhitargaon and Seerpur as examples. It highlights the use of carved brick, brick bands, and brick terracottas as mediums for artistic expression, asserting that sculptors and architects utilized bricks efficiently from a standpoint of construction, sculpture, and decoration. The author concludes that a survey of archaeological sites and existing brick edifices demonstrates that brick was equally preferred and used abundantly by architects across the Indian subcontinent. The article references numerous sources, including works by Benjamin Rowland, V.S. Agrawala, and various Archaeological Survey of India reports, to substantiate these claims.

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Conclusion

The study establishes brick as the foundational and predominant material in ancient Indian architecture, predating and surpassing stone in both antiquity and the scale of construction across the subcontinent. Its extensive use, driven by the agricultural prosperity of riverine alluvial zones where stone was scarce, highlights its critical role in expressing societal affluence. Despite the later royal patronage of stone, brick architecture retained its significance due to its economic viability, manageability, and availability, influencing even the design of subsequent lithic monuments. The author argues that sculptors and architects effectively utilized brick for both structural and decorative purposes, as evidenced by surviving temples, stupas, and terracottas. However, the perishable nature and reusability of bricks led to their systematic plunder and destruction, leaving very few complete structures. Consequently, the remaining archaeological materials at recorded sites are deemed invaluable for reconstructing a scientific history of ancient Indian brick architecture, underscoring the urgent need for further study and preservation.

Key passages

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  • “Wood, brick and stone are the main buildicg materials vsed in Anc- ient Indian Architecture? . Wood being perishable very little of ancient woodea architecture has survivedZ. Examples of only brick and stone have come down to us3.”
  • “A reading through the survey reports Sir Alexander Cunningham leaves the impression that the whole of Northern India was covered with building built of bricks, every ancient site exhibited remains of brick structures.”
  • “The predominance of bricks contitues even in the const ruction of religious adifices, a history of which is traceable since very long4 A larger purrber of the stupas, cbaitya halls, monasteries as well as temples were built with brick as the main building material 5, though in subsequent period religious buildings built under tte royal patronage started a new traditicn of stone architecture.”

Works cited in this article

  1. Bridget and Raymond Allchin, The Birth of Indian Civilization, Great Britain, 1968; p. 242
  2. Benjamin Rowland, The Art and Architecture of India, Great Britain, 1953, pp. 13,45 & 51, Bridget and Raymond Allchin, p. 237; ASIA. R, 1911-12, p. 33 and onward, 4.5.l.A.R., 1913-14, p. 4.
  3. A.STAR., 1903-4, p. 15, ASILA.R., 1913-14, p. 4, A S.I. Circle Report North Western Provinces and Avadh, 1899, p. 8; Benjamin Rowland, p. 13.
  4. A.S.LAR, 1908-9, p. 5; Indian Museum Bulletin, 1970, p. 27; A.S.E A.R., 1909-10, Il & 83, Prince of Wales Museum Bulletin, No. 7, p. 6; 0.C. Ganguly, Indian Terracotta Art, Calcutta, 1959 (notes on the plates) p. II.
  5. M.A.S.I, No. 55, pp. 1 & onward, M.A.A. Kadir, A Guide to Paharpur, Bangladesh, 1975; A.S.7.A.R. Eastern Circle, 1920-21, p, 25, A.S.L.A.R., 1928229, p. 93.

Discussed in this article

Places

Texts & works

  • Birth of Indian Civilization
  • Art and Architecture of India
  • Indian Architecture (Hindu and Buddhist Periods)
  • Excavation at Koshambi
  • Architectural Survey of South India
  • Excavation at Devenimore
  • Catalogue of the Museum of Archaeology at Sarnath
  • Temple of Bhitargaon
  • A Guide to Paharpur

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In this issue

Vol. 11 · No. 1-4
1–4A Note on ViśeṣaR. D. Hegde5–10Free‑Will and DestinyM. P. Lakhani11–16Śokaḥ Ślokatvam Āgataḥ (Dhv. I. Sd)Tapasvi Shambhuchandra Nandi17–28The Pañcagranthi‑Vyākaraṇa of Buddhaghoṣa (V. Sam. 1080)Narayan M. Kansara29–36On the Variant Readings in AVS 3.12 as Noted in Sāyaṇa‑BhāṣyaNeelima Mane37–38Vijayarāja Paramār of JaloreRam Vallabh Somani39–47Critical Survey of the Jaina PurāṇasDevi Prasad Mishra48–50A Note on Brick ArchitectureT. N. MishraCurrent article51–56A Note on the Matṛkā Figures from the EME Dakṣiṇa‑mārti TempleMaruti Nandan Prasad Tiwari, Kamal Giri57–81Avidyā in VedāntaEsther A. Solomon82–104Sanskrit AestheticsV. M. Kulkarni105–112Number of PramāṇasR. D. Hegde113–120Tantra and Shahrazād (The 360 and the 1001 Nights)A. K. Warder121–132The Childhood Exploits of KṛṣṇaHarivallabh Chunilal Bhayani133–146Social Thought of Yājñavalkya (I)Ramesh S. Betai, Jayaben R. Betai147–153Is Vastu‑Dhvani an Expendable Form of Poetic Excellence?S. Meera154–165Fixing up of Some Variants from KālidāsaTapasvi Shambhuchandra Nandi166–175The Contribution of Jain Authors to Sanskrit Chandaḥ ŚāstraG. S. Shah176–179A Unique Bodhisattva Head from MathurāLalit Kumar180–192Tatpurvakam in Tatpurvakam Trividham Anumānam (NS 1.1.5) in Bhāṣarvajña’s ViewLaxman V. Joshi193–216Reappraisal of Degrees of Reality in Jainism, Buddhism and VedāntaYajneshwar S. Shastri217–230Observations on Some Variants in HarṣacaritaTapasvi Shambhuchandra Nandi231–270Review

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