Skip to content
Browse articles

Visvedevah

By S. S. Gupta

Vol. 272004pp. 8–13English

Summary

The essay by S. S. Gupta surveys Rigvedic hymns addressed to Visvedevah, a collective term for all gods, and explores the theological implications of such collective invocations. Drawing on an index of Vedic suktas, the author notes that fifty‑three rishis composed hymns to Visvedevah, accounting for roughly 13.7 % of Rigvedic seers. Rather than naming a particular deity, these hymns address the ensemble of deities—Agni, Indra, Varuna, Mitra, Savita, Pushan, Aditi and others—and celebrate their combined virtues. The author argues that the grammatical plural in the word “Visvedevah” and the frequent listing of multiple gods within the same hymn indicate that ancient rishis envisioned a harmonious pantheon in which different aspects of the divine complement one another. The essay examines selected suktas to illustrate themes such as the creative synergy between elemental gods (fire, water, wind, earth, space) and the moral order (ṛta) they uphold. For example, one hymn invokes Agni as the mouth of all gods and requests his assistance in calling the entire pantheon, while another invites Maruts, Vishnu and Indra together, emphasising their cooperation. The author also discusses the social and theological context of these collective hymns. By worshipping Visvedevah, people could honour diverse deities without privileging any one sect, thus fostering communal harmony and allowing individuals to choose a personal ishta‑devata while still recognising the unity underlying the multiplicity. The essay interprets Visvedevah as a symbol of inclusive monotheism, arguing that even though the Rigveda emphasises different gods for different functions, the hymns to Visvedevah suggest an early attempt at synthesising polytheistic belief into a coherent whole. The author compares this to similar inclusivist tendencies in the later Upanishads and in modern Hindu thought, where the divine is seen as one manifested through many names and forms. The article concludes with observations on how these hymns reflect social values of tolerance and mutual respect and offers insights into the evolution of Indian religious philosophy.

AI-assisted summary, not yet checked. Consult the original PDF before citing.

Conclusion

In essence, the study shows that the Rigvedic concept of Visvedevah embodies a cosmopolitan vision of divinity. By invoking all gods together, ancient rishis emphasised that the cosmos functions through cooperation rather than competition. This inclusive theology allowed for a diverse worship practice, enabling each devotee to maintain personal devotion while recognising a broader unity. The article thus highlights how early Vedic religion laid foundations for later pluralistic philosophies, reminding modern readers that harmony among different beliefs has deep roots in India’s spiritual heritage.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “It appears, Visvedevah 15 no single god but hesrepresents થો! gods. 11115 conclusion has been made on several counts.”
  • “Thus, it can be concluded that Visvedevah represents all the deities of Rig Veda.”
  • “Thus, it 15 clear that ૪15૪૯૯૫0, 15 no devatd. [1૯ 15 a representative of था] devatas —a unique charater created by rsis to give very useful messages to humanity so that they can remain healthy, happy and contented.”

Works cited in this article

  1. H. H. Wilson, Delhi
  2. Ralph T. H. Griffith, Delhi
  3. Pt. Shri Ram Sharma, Bareilly
  4. Dayananda Sarasvati, Delhi
  5. Jai Shankar Joshi, Haldyudha-Koéa, Sarasvati Bhavan, Varanasi, 1879

Discussed in this article

People

  • Vasistha 21
  • Kutsa Angirasa
  • Prajapatih vai$vamitrah
  • Prajapatih vacyah
  • Atri Bhaumah
  • Gotamah Rahiiganah
  • Avatsaro Kasyapah Rsayah Drstalingah
  • Medhatithi Kanvah
  • Kaksiuvana Dairglatamas
  • Agastyah
  • Kirmah Gartsamadah
  • Grtsamada Bhirgava Saunakah
  • Vamdevah

Dynasties, sects & groups

  • Visvedevah

AI guide

Discuss this record

Ask about the article, its topics, issue context, selected passages, or reading strategy.

Start with the record

I can unpack the summary, turn it into study questions, explain a selected passage, or compare it with the other articles in this issue.

Article order

In this issue

Vol. 27
1–7Some Aspects of the Rasa‑TheoryTapasvi Shambhuchandra Nandi8–13VisvedevahS. S. GuptaCurrent article14–24Upavedas – Arthashastra in RamayanaRajalakshmi Srinivasan25–36Mirabai in Gujarati TraditionYajneshwar S. Shastri37–49(E) Utopia and (E) Uchronia in Trisasti‑Salaka‑Purusa‑CaritraRam Krishna Bhattacharya50–58The Victors and the VanquishedD. S. Baya59–68Pracheen Jainagamon mein Charvakadarshan ka Prastutikaran evam SamikshaSagarmal Jain69–80Uttaradhyayansutra mein Pratipadit Karma‑MimansaKamal Kumar Jain81–84Acharya Nemichandra Suri ka VyaktitvaHukam Chand Jain85–95Dharmacharan ka ek Paryay – SatyavaniVasantkumar M. Bhatt96–100Vedarthaghatana and SayanacharyaDinanath Sharma101–106Bauddha Prabrajya–Upasampada: ‘Ehi Bhikkhu’ se ‘Jatticatutthakamma’ takKanjibhai M. Patel106(a)सन्दर्भ ग्रन्थ-सूचि107–147ગીતામાં નિરાકાર-સાકાર તત્ત્વ વિચાર (Part - 1 )Bansidhar Bhatt107–147ગીતામાં નિરાકાર-સાકાર તત્ત્વ વિચાર (Part - 2)Bansidhar Bhatt148–152ગુજરાતની પ્રાચીન કલામાં પ્રાચ્ય લખાણRavi Hajarnis153–167કવિ મંત્રી વસ્તુપાલ અને તેના સમકાલીન કવિઓVibhuti V. Bhatt168–180હેમચંદ્ર : કાવ્યહેતુચિંતન-જૈનદાર્શનિક્તા અને અલંકારશાસ્ત્રીય પરંપરાAjit Thakor181–189દ્વાદશાનુપ્રેક્ષાKokila Hemchand Shah190–194આબુકલ્પD. G. Vedia195–196અભ્યાસ અને અનુસંધાન ક્ષેત્રે આગવું અર્પણMuni Bhuvan Chandra197–201National Workshops on Manuscriptology and Ancient ScriptsKanjibhai M. Patel

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Continue reading

Related articles

Journal of Indian History and Culture

South India's Contribution to Sanskrit Studies in Asia

By P. Sankaran Kutty Nair

September 2006