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Krsna and Baladeva as Attendant Figures in early Indian Sculpture

By Ratna Chandra Agrawala

Vol. 38 · No. 1March 1962pp. 86–88English

Summary

The article explores early sculptures depicting the goddess Ekanamsa flanked by Krsna and Baladeva. While medieval images of this trio were known, no examples predating the Gupta period had been published. The author reports two Kushana‑period red sandstone reliefs from Mathura, now in the Karachi Museum. One relief shows Krsna’s combat with the bull‑demon Kesin, potentially the earliest sculptural representation of this episode. The second relief features a two‑armed goddess between two male figures identified as Baladeva (holding a plough) and Krsna, who holds weapons and stands in abhayamudra. The author suggests these reliefs may have been used as exercise weights because they have handles carved on the sides. He also notes an eighth‑century statue from Amjhara in which miniature figures of Baladeva and Krsna appear below Lakshmi’s knees, indicating continuity of the motif. The article concludes that these early reliefs push back the antiquity of the Ekanamsa cult and provide unique examples of Krsna and Baladeva serving as attendant figures in early Indian art.

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Conclusion

By identifying Kushana‑period reliefs showing the goddess Ekanamsa accompanied by Krsna and Baladeva, the study demonstrates that this iconographic motif predates the Gupta era. These rare sculptures reveal how Vaishnava imagery evolved and illustrate the roles of Krsna and Baladeva as attendant figures, enriching our understanding of early Indian religious art.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “A fine bronze of this goddess from Imadpur, Behar, and made during the regime of Pila ruler Mahipala, has been ptesetved in the British Museum લેદ London, In all these mediaeval sculptures ૪/૯ notice the goddess as two-armed and appearing beeween Krisna and Balatama.”
  • “The existing Mathura relief, datable as early as the second century A.D., thus enables us to push back the antiquity of the cult of Ekinamsi in the plastic art to घाट beginning of the Christian era.”
  • “It may also be noted in this connection that I discovered an interesting 8-gth century statue of Laksmi તદ Amjhara (near Dungarpur) wherein seated घाट goddess 15 being anointed by elephants 10 a traditional manner whereas miniature_ figures of scated Baladeva and 9૬0૩ have been carved just below her left and right knees respectively.”

Works cited in this article

  1. Dr. J. N. Banerjec (Development of Hindu Iconography, 1956, Calcutea, pp. 133, 5૦2. and 503)
  2. J. C. ૦1૦518 (J4SB., Calcutta, [1 (1), New 56165, 1936, pp. 41-46, plate 7)
  3. Visnudbarmottara, Byibat Sambita, Skanda Purana, etc.
  4. રિ. C. Agrawala, Lalitakala
  5. V. 5. Agrawala, J.U.P.H. Society, Lucknow, old series, 1949, XXI1I, p. 150, serial no. 1119

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