Skip to content
Browse articles

dhanapala and some aspects of mordern fictional technique

By Narayan M. Kansara

Vol. 3 · No. 1april 1974pp. 17–29English

Summary

The article examines Dhanapala’s Tilakamañjarī, highlighting its narrative sophistication and alignment with modern fictional techniques. Dhanapala skillfully integrates elements such as vivid description, real-time scene construction, and retrospective narration—tools typically associated with modern prose. He employs complex structures like frame stories, symbolic characters, and multi-layered plots. Characters such as Harivāhana and Samaraketu represent moral archetypes, and objects like the flying elephant carry symbolic meaning. Dhanapala uses allegory, metaphor, and cause-contingency to weave spiritual and ethical themes into the storyline, often reflecting Jain values. The narrative unfolds across diverse locations and events, yet maintains coherence through unity of time and purpose. Kansara argues that the use of visual imagery, embedded storytelling, psychological depth, and philosophical reflection demonstrates Dhanapala’s literary mastery. Ultimately, the article shows that Dhanapala’s work anticipates many features of modern fiction, asserting his place as a sophisticated craftsman of early Sanskrit narrative literature.

Summary reviewed by a volunteer editor.

Conclusion

Dhanapala’s Tilakamañjarī exemplifies a remarkable blend of ancient and modern narrative techniques, anticipating features of contemporary fiction. Through its complex structure, vivid imagery, and philosophical depth, the text reflects Jain values and showcases Dhanapala’s skill in crafting an enduring and sophisticated narrative.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “The later novelists, too, employ devices to make summary appear as scene and thus rob it of its tedium, casting it In the guise of one character's reflections upon another, dialogue between the twg characters and so on.”
  • “The above discussion, with reference to the technique of fiction as found In the modern Western fiction, illustrates how the techniques which are deemed to be modern by modern critics of both the occidental and oriental literatures, were In fact not quite unknown to the medieval Sanskrit writers of Prose-Romances, and herein lies the universal value and appeal of Sanskrit Prose-Romance as medieval Indian novel.”

Works cited in this article

  1. W. P. Ker, Epic and Romance, pp. 328-340
  2. E. M. Forster, Aspects of the Novel, pp. 7-26

Discussed in this article

People

Texts & works

Dynasties, sects & groups

  • Vidysdharas

AI guide

Discuss this record

Ask about the article, its topics, issue context, selected passages, or reading strategy.

Start with the record

I can unpack the summary, turn it into study questions, explain a selected passage, or compare it with the other articles in this issue.

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Same author

More by Narayan M. Kansara

All articles →
Sambodhi

The Moral Codes of the Swaminarayanism and of the Jainism: A Comparative Study

By Narayan M. Kansara

2014
Sambodhi

Ṛṣidattacaritra Saṃgraha

By Narayan M. Kansara

2012
Sambodhi

The Karma Doctrine in the Swaminarayan Tradition

By Narayan M. Kansara

2003
Jain Journal A Quarterly on Jainology

Jainism, Mahavira, Buddha and Nirvana

By Narayan M. Kansara

July - 2001