The Valid Forms in “Bhisa”
By Louis Renou
Summary
This article examines the seven rules in Panini’s Astadbyayi that restrict grammatical forms to the domain of "bhasa," a term the author argues does not denote a distinct, common spoken language separate from Vedic Sanskrit. Instead, the author contends that bhasa represents a syncretic linguistic framework that absorbs both the formal structures of Vedic chandas and elements of later spoken language, with Panini isolating Vedic forms only where specific archaic features required special grammatical treatment. The author challenges the interpretation of Franke, who posited that Panini’s bhasa marked a departure from Vedic Sanskrit, by demonstrating that the linguistic forms discussed in these seven rules are not distinctively non-Vedic. Evidence from later grammatical texts, such as the Katantra of Candragomin and the Mahabhasya, shows that the distinction between bhasa and chandas was often blurred, with later grammarians frequently granting indiscriminate validity (avifesena) to forms originally restricted to either domain. The author notes that while the term "bhasa" might suggest spoken or profane language, it is more accurately understood as the oral or exegetic prose of the Brahmanas, distinct from the sung or chanted portions of the Vedas. The article concludes that Panini’s grammar was designed to accommodate a unified linguistic system, and the mention of bhasa in these specific rules serves as a technical device to demarcate the boundaries of Vedic license rather than to establish a separate linguistic category. The author also discusses how later commentators and texts, including the Kasika and the Nyasa, further complicated or simplified these distinctions over time.
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Conclusion
This article demonstrates that Panini’s designation of "bhasiyam" does not denote a distinct linguistic stage but rather a specific demarcation within a unified grammar. The seven sutras marking this domain do not reveal a language separate from normal Paninian usage. Instead, they address particular morphological and phonological details where the requirements of the grammatical system necessitated distinguishing between Vedic and non-Vedic forms. Consequently, the "bhasiyam" represents an artifice of composition, integrating both Vedic and common language elements. The analysis refutes earlier theories positing a separate "bhasi" language, affirming instead that Panini’s grammar encompasses a single continuum. It absorbs Vedic peculiarities as archaic fringes while integrating standard forms under indiscriminate validity, ultimately reflecting a bold syncretism of sacred and spoken linguistic realities.