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The Authoress Binabayi

By J. B. Chaudhari

Vol. 16 · No. 3September - 1940pp. 580–585English

Summary

Binabayi, the only known female contributor to Pauranic literature, authored the *Dvaraka-pattala*, an unpublished work housed at the Bhandarkar Oriental Research Institute. Dated to 1518 CE and affiliated with the Ramanuja school, the text provides personal details about Binabayi, including her likely identity as a queen of Harasimha, a Vaisnava ruler of Patalipura on the Ganges. Her father, King Mandalika, was probably a Cudasama ruler of Girnar, Kathiawar, though his exact identity remains uncertain. The *Dvaraka-pattala* summarizes the *Dvaraka-mahatmya* (part of the *Skanda-purana*) and outlines rituals for pilgrims visiting Dvaraka, including merit acquisition through acts like aiding travelers, offerings at shrines, and baths in the Gomati River. Binabayi, though modestly self-described as a humble student, demonstrates profound scriptural mastery, emphasizing devotion to Krishna. She recounts extensive travels across India, charitable deeds, and reverence from subjects. The work is structured into four chapters detailing pilgrimage merits, ritualistic practices, offerings, and bath rituals. It eulogizes Binabayi as a "wish-fulfilling tree" and highlights her synthesis of scholarly rigor and humility. Despite its unpublished status, the manuscript remains a critical source for understanding medieval Indian religious practices and women’s intellectual contributions.

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Conclusion

Binabayi's *Dvaraka-pattala* stands as a unique testament to her scholarly prowess and devotional rigor, offering invaluable insights into 15th-century India's religious and cultural landscape. As the sole extant work by a female author of Pauranic literature, it bridges gaps in historical records, shedding light on the intellectual contributions of women in Vedic and Puranic traditions. Her meticulous summation of the *Dvaraka-mahatmya*, blending scriptural exegesis with practical rituals, underscores her deep mastery of Smrtis and Puranas, while her humble self-portrayal contrasts with the undeniable sophistication of her work. Binabayi's narrative also highlights the socio-religious dynamics of her time, emphasizing the reverence accorded to learned women and the role of pilgrimage in spiritual merit. Her travels across India and charitable endeavors further illuminate the interconnectedness of regional cultures and the spread of Vaishnavism. This document not only enriches our understanding of Ramanuja's legacy but also challenges traditional narratives

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Binabayi 15 the only woman whose contribution ૬૦ ‘Pauranic literature 15 extant to-day.”
  • “Further we know from the same work that Binabdyi was the chief queen of Harasimha, son of Virasimha, grandson of king Pratipa, a Vaisnava by religion, who ruled in Patalipura situated on the Ganges.”
  • “Though highly learned, Binabayi displays admirable wo.manly modesty while speaking about herself and disclaims of any great scholarship or genius on her own part.”

Works cited in this article

  1. C. Mabel Duff's Chronology of India, Londen, 1599, pp. 253-284; ASW L, ક, 164 (given in appendix)
  2. Ep. Ind. ૪૦. xx, p. 1a5, Inscription ne - 751, (dated Vikrama 473), no. 505, છ. 112, (Vikrama 1507: Mandakika 111); no. 867 (Vikrama 1554: Mandalika 111); no. 1719, p. 243 (undated: Mandalika II); also no. 1865, p. 243 (undated).
  3. Rev. Lists of Ant. Rem. of the Bombay Presidency, p. 347
  4. Skanda-purana
  5. Prabhasakharda

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Vol. 16 · No. 3

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