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A Narrative from Jaina Literature

By Fujinaga Sin

Vol. 18 · No. 021998pp. 3–8English
Anekantavada DoctrineJaina Literary Contributions

Summary

This article by Dr. Fuginaga Sin first discusses contribution of Jainism to literature in Prakrit and then in modern Indian languages, namely, Gujarati, Kannada, Marathi and Tamil. This literature contributed to the literary development of these languages in their own unique literary styles. Dr. Sin presents the Jaina narrative of Viṣṇukumāra, used to illustrate the virtue of vātsalya (loving respect towards fellow Jains), the seventh out of eight elements of samyagdṛṣṭi (Right Belief) as outlined by Samantabhadra. A) Plot Summary: i) The Jain monk Akampana and his 700 disciples arrive in Ujjain but remain silent, angering King Śrīvarman's ministers. ii) A confrontation leads to public humiliation of the ministers, who later become ministers to King Padma. iii) One of them, Bali, tricks the king into granting him full control for a week, during which he attempts to annihilate the monks. iv) A celestial monk, Viṣṇukumāra, intervenes through a miracle to save the monks and punishes Bali by mimicking the famous three strides of Viṣṇu myth (symbolically stepping across the world). v) In repentance, the ministers embrace Jain monastic life. B) Analysis: i) The story combines Jain ethical messaging with Hindu mythological motifs (e.g., Bali, Viṣṇu). ii) It demonstrates moral dilemmas, the nature of true devotion, and Jain responses to aggression through restraint and divine intervention. iii) The story exists in both Digambara (e.g., Prabhācandra) and Śvetāmbara traditions and reflects a long-standing narrative tradition, found in sources like Bṛhatkathākośa and Yaśastilaka.

Summary reviewed by a volunteer editor.

Conclusion

The narrative of Viṣṇukumāra skillfully blends Jain ethics with familiar mythological elements to illustrate the ideal of vātsalya—compassion and loyalty toward fellow Jains. It emphasises the moral triumph of non-violence, discipline and righteous intervention over deception and aggression. The story serves both as a didactic tale and a cultural bridge, reflecting Jain values while engaging audiences familiar with broader Indian traditions.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Jainism, one of the three ancient religions of India, has produced vast body of narrative literature and philosophy in Prakrit language whosc influence once had reached as far west as ancient Persia.”
  • “The story of Visnukumara cannot be a purc creation of Prabhacandra because, as mentioned above, in the times of Samantabhadra it must have been famous among people.”
  • “Both Bali and Visnukumara had a chance to ask the boon. The former asked for permission to commit an evil act while the latter asked for permission to punish Bali and his group.”

Works cited in this article

  1. Ratnakarandaka-Sravakacara
  2. Yasastilaka

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  • Ratnakarandaka-Sravakacara

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