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Music in Indian Sculptures and Paintings: Historical and Artistic Insights

By M. B. Vedavalli

Vol. 01September 1996pp. 20–29English

Summary

The provided text explores the role of sculptures and paintings in reconstructing Indian music history, particularly for studying musical instruments. It highlights how visual representations in temples across dynasties offer insights into instrument shapes, playing techniques, and historical musical practices. Key sites include Amaravati, Ajanta, Ellora, Mahabalipuram, and others, showcasing stringed, wind, and percussion instruments like vinas, violins, flutes, nagaswara, and mridangam. The text details instrument evolution, such as fretted vinas and varied postures, and notes regional variations in artistic styles. It also mentions paintings depicting musical themes, including those at Ajanta and Chola temples, and discusses the portrayal of musical concepts like svara and raga. The analysis emphasizes the integration of music, dance, and art in temples, reflecting royal patronage and cultural practices across periods.

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Conclusion

This document highlights the significant role of sculptures and paintings in reconstructing India's musical history, particularly for studying musical instruments. It provides detailed visual evidence of various stringed, wind, and percussion instruments depicted across dynasties, offering insights into their construction, playing techniques, and evolution over time. The analysis of postures, fret patterns, and regional variations in instrument representation underscores the cultural and artistic patronage of temple complexes. By examining these visual records, researchers can trace the historical development of musical traditions and instruments, enriching our understanding of India's musical heritage. The document also bridges art and musicology, demonstrating how visual art serves as a vital historical source for musicological studies.

Key passages

Chosen by AI from the article's text. Each one is checked word for word against the text before it is shown.

  • “Sculptures and paintings form some of the important sources for the construction of history of Indian Music, especially for the study of various details regarding the musical instruments.”
  • “In sculptures and paintings almost all the varieties of instruments belonging to the stringed, wind and percussion are represented.”
  • “Thus, sculptures and paintings in which the variqy aspects of music are found provide valuable sources for the study of the history of Indian music.”

Works cited in this article

  1. Music in Indian Art. M. Hariharan and Gowri Kuppuswamy, Sandeep Prakashan, Delhi. 1985
  2. Musical Instruments in Indian Sculpture. G.H. Tarlekar and Nalini Tarlekar. 1972
  3. Archaeology of Indian Musical Instruments. Sandeep Prakashan, Delhi. 1985.
  4. Mysore as a Seat of Music During 19th AND 20th Centuries. Dr. M.B. Vedavalli, C.B.H. Publications.
  5. Mahabharata Choodamani.

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