Articles discussing Amaravati
The Development of Buddhist Art in South India
Deva Prasad Ghosh · The Indian Historical Quarterly, 1927
“The art of Amaravati 1૩ the expression of an age of ex- perimentation in the ever changing history of evolutionary process.”
Itineraries of Mahavira in Southeastern India
T. V. G. Sastri · Jinamanjari, 1995
“On etymological considerations, the names Amaravati and Pratistana do not show any direct reference to Buddhism, but archaeological excavations prove beyond doubt that they are Buddhist sites.”
The Development of Buddhist Art in South India
Excavations at Nagarjunakonda
Thillaisthanam Natarajan Ramachandran · The Indian Historical Quarterly, 1952
“The extent of the ruins 15 far greater than that at the well-known site of Amaravati.”
Music in Indian Sculptures and Paintings: Historical and Artistic Insights
M. B. Vedavalli · Journal of Indian History and Culture, 1996
The Development of Buddhist Art in South India
Women's Contributions to Buddhism in Ancient Andhradesa
D. Mercy Ratna Rani · Journal of Indian History and Culture, 2017
Vijayapuri—the Capital of Iksvakus of Nagarjunakonda
Reviews
Mano Mohan Ghosh, U. N. Ghoshal · The Indian Historical Quarterly, 1948
Theravada Buddhism in Burma
The Earth Goddess in Buddhist Art
Message from Barhut Jataka Labels
B. M. Barua · The Indian Historical Quarterly, 1925
“These labels or indexes constitude a distinotive feature of the Jataka-illustrations at Barhut. Similar carvings at Bodh- Gaya, Sanchi, Sarnath, Amaravati, Taxila and Ajanta do not bear such labels or headings.”
The Jaina Architectural Forms at Mathura in India
Anne W. Norton · Jinamanjari, 2000
Observations on the Buddhist remains at Jaggayyapeta