Articles discussing Sarnath
Mauryan Art
Origin of the Bell-Capital
The Date of the Devendrastava: An Art-Historical Approach
Lalit Kumar · Sambodhi, 1992
“The Devendrastava provides the earliest literary reference to the interpretation of the abacus of the quadripartite lion capital of Sarnath”
Pre-Buddhistic Rajgir
Nalanda Seals of Budhagupta and Visnugupta
The Earth Goddess in Buddhist Art
A Note on the Crowned Buddha in Bharat Kala Bhavan
Lalit Kumar · Sambodhi, 1981
The So-called Bell-Capital
O. C. Gangoly · The Indian Historical Quarterly, 1935
“The Agoknn pillars {recovered in various કાફ, e.g, Senchi, Sarnath, Rampurva, Sankiso, Basarh, Louriya Nandangarh, ett consist of long shafts, slightly tapering towards the tup, currying an abacus in the form a styliZee lotus-form with its petals spread out”
The Hair and the Usnisa on the Head of the Buddhas and the Jinas
Ramaprasad Chanda · Jain Journal A Quarterly on Jainology, 1979
A Further Note on the Origin of the Bell Capital
Achyuta Kumar Mitra · The Indian Historical Quarterly, 1934
“The late Mauryan pillars discovered in fragments at Sarnath in 1914-15 must hove been made of three or four 110015 of stone,”
The hair and the usnisa on the head of the Buddhas and the Jinas
Anagarika Dharmapala: Lion of Lanka and Buddhist Revivalist
A Study of Nagarjuna
Bratindra Kumar Sengupta · The Indian Historical Quarterly, 1955
Select Contents of Oriental Journals
Vyomasiva, the Author of Vyomavati
K. Chattopadhyaya · The Indian Historical Quarterly, 1934
“The name of the donor is Buddha(mitra), known to us from two other inscriptions of Mathura and Sarnath”
Kosam Inscription of Kanishka
Amalananda Ghosh · The Indian Historical Quarterly, 1934
“The image resembles Advaghoga’s Bodhisattva image at Sarnath in execution, though not in size”
Art and Philosophy in Hindu Temple Building
Prafulla Chandra Basu · The Indian Historical Quarterly, 1926
Message from Barhut Jataka Labels
B. M. Barua · The Indian Historical Quarterly, 1925
“These labels or indexes constitude a distinotive feature of the Jataka-illustrations at Barhut. Similar carvings at Bodh- Gaya, Sanchi, Sarnath, Amaravati, Taxila and Ajanta do not bear such labels or headings.”
Anagarika Dharmapala: Buddhist Reformer and Patriot
Dharmapala's Sammaditthi and New Buddhism
Benoy Kumar Sarkar · The Maha Bodhi, 2020