मविसयत्तकहा की संस्थान म प्राप्त पाण्डलिपियों को प्रशस्तियाँ
Summary
The document is a collection of manuscript colophons from the Jain Vidya research institute, cataloged under accession numbers 748 to 758. These colophons record the copying of manuscripts, primarily the Shrut Panchami (Bhavishyadatta) text, between Vikram Samvat 1540 and 1595. The manuscripts vary in size, condition, and completeness, with some noted as ancient or fragile. The colophons provide detailed genealogies of scribes, patrons, and Jain monastic lineages. Key lineages mentioned include the Mula Sangh, Nandi Amnaya, Balatkara Gana, Saraswati Gachchha, and the Kundakundacharya lineage, with Bhattarakas such as Padmanandi, Shubhachandra, Jinachandra, Prabhachandra, and Dharmachandra. Patrons and scribes are identified from communities like the Khandelwal, Mathur, and Agrawal, often with their family trees, including spouses and children. Notable patrons include Thakur Brahmadasu, Sah Hema, Sah Lala, and Rao Jagmal. Locations mentioned include Mozabad, Ajmer, and Sri Palanv in the Kurujangaldesa region. The manuscripts were written for religious merit, often for the occasion of the Panchami festival, and were donated to learned individuals or for study purposes. The colophons also record astrological details such as tithi, nakshatra, and weekday, and include auspicious endings like "Shubham Bhavatu."
AI-assisted summary, not yet checked. Consult the original PDF before citing.
Conclusion
The manuscript colophons document a sustained tradition of copying and donating the *Bhaviṣyadatta Pañcamī* text across multiple generations, with scribes and patrons from the Khaṇḍelavāl and other Jain merchant communities. The records span from Vikram Samvat 1540 to 1595, indicating continuous religious and literary activity. Key outcomes include the establishment of a clear lineage of Ācāryas and Bhaṭṭārakas within the Mūla Saṅgha, Sarasvatī Gaccha, and Balātkāra Gaṇa, showing institutional continuity. The colophons also reveal social networks, with families like the Sāhu and Paṇḍit lineages commissioning manuscripts for merit. This implies that the text served both ritual and communal identity functions, reinforcing Jain lay piety and patronage systems. The detailed genealogies and donation records provide a rich source for understanding medieval Jain social history and manuscript culture.